About: Typeface is a research topic. Over the lifetime, 536 publications have been published within this topic receiving 6175 citations. The topic is also known as: font family.
TL;DR: This work focuses on the challenge of taking partial observations of highly-stylized text and generalizing the observations to generate unobserved glyphs in the ornamented typeface, and proposes an end-to-end stacked conditional GAN model considering content along channels and style along network layers.
Abstract: In this work, we focus on the challenge of taking partial observations of highly-stylized text and generalizing the observations to generate unobserved glyphs in the ornamented typeface. To generate a set of multi-content images following a consistent style from very few examples, we propose an end-to-end stacked conditional GAN model considering content along channels and style along network layers. Our proposed network transfers the style of given glyphs to the contents of unseen ones, capturing highly stylized fonts found in the real-world such as those on movie posters or infographics. We seek to transfer both the typographic stylization (ex. serifs and ears) as well as the textual stylization (ex. color gradients and effects.) We base our experiments on our collected data set including 10,000 fonts with different styles and demonstrate effective generalization from a very small number of observed glyphs.
TL;DR: A readable manual and reference on modern typography, exploring the art and history of the field as well as technical details.
Abstract: A readable manual and reference on modern typography, exploring the art and history of the field as well as technical details. Includes b&w illustrations, a glossary, and reference appendices. This second edition includes a new chapter on digital typography, expanded information on typefaces and des
TL;DR: This article showed how, by the 19th century, characters in books became identified with the reader, as friends with whom they empathized, and how readers used transactions with characters to accommodate themselves to newly-commmercialized social relations.
Abstract: At the start of the 18th century, literary "characters" referred as much to letters and typefaces as it did to persons in books. However, this text shows how, by the 19th century, characters in books became identified with the reader, as friends with whom they empathized. The story of this shift in meaning is usually told in terms of the "rise of the individual", but this text proposes an alternative solution. Elaborating a "pragmatics of character" it shows how readers used transactions with characters to accommodate themselves to newly-commmercialized social relations. Ranging from Defoe and Smollett to Burney and Austen, this account should interest those with a concern for the inner workings of consumer culture and the history of emotions.
TL;DR: In this article, the authors developed empirically based guidelines to help managers select typefaces that affect strategically valued impressions, and discussed the potential trade-offs among the impressions created by typeface (e.g., pleasing, engaging, reassuring, prominent).
Abstract: This article develops empirically based guidelines to help managers select typefaces that affect strategically valued impressions. The authors discuss the potential trade-offs among the impressions created by typeface (e.g., pleasing, engaging, reassuring, prominent). The selection of typeface can be simplified with the use of six underlying design dimensions: elaborate, harmony, natural, flourish, weight, and compressed.
TL;DR: A picture of a young man typing on a mechanical typewriter while sitting on a park bench went viral on the popular website Reddit as mentioned in this paper, with a sarcastic caption in bold white Impact typeface that read: ‘You’re not a real hipster until you take your typewriter to the park.
Abstract: In January 2013, a picture of a young man typing on a mechanical typewriter while sitting on a park bench went ‘viral’ on the popular website Reddit. The image was presented in the typical style of an ‘image macro’ or ‘imageboard meme’ (Klok 2010, 16–19), with a sarcastic caption in bold white Impact typeface that read: ‘You’re not a real hipster — until you take your typewriter to the park.’