TL;DR: A Mercy of Peace (Milost' mira) Bless the Lord, O My Soul (Blagoslovi, dushe moya, Gospoda) Blessed is the Man (Blazhen muzh) Blagovi, Dushem, Gaspoda, Blagovich as mentioned in this paper, Blagovetskaya, Gostoyevitch, Dostoyno yest', Gospodi, spasi' i Trisvyatoye No. 3) I Cry Aloud With My Voice Unto The Lord (
Abstract: A Mercy of Peace (Milost' mira) Bless the Lord, O My Soul (Blagoslovi, dushe moya, Gospoda) Blessed is the Man (Blazhen muzh) Blessed is the Man (Blazhen muzh) Cherubic Hymn (Kheruvimskaya pyesn') Cherubic Hymn based on the chant 'The ravaging of Moscow' (Kheruvimskaya pyesn': 'Na razoryeniye Moskvi') Do Not Reject Me in My Old Age (Nye otverzhi menye vo vryemya starosti) Gentle Light (Svyetye tikhiy) Gentle Light (Svyetye tikhiy No. 3) I Cry Aloud With My Voice Unto The Lord (Glasom moim ko Gospodu vozzvakh) It Is Truly Meet (Dostoyno yest') It Is Truly Meet (Dostoyno yest') Let My Prayer Arise (Da Ispravitsya molitva moya) 'Lord, Save the Faithful' and Trisagion ('Gospodi, spasi' i Trisvyatoye) Many Years (Mnogaya lyeta) Many Years [TTBB] (Mnogaya lyeta) Many Years [SATB] (Mnogaya lyeta) Our Father (Otche nash) Our Father (Otche nash) Our Father (Otche nash) Praise the Name of the Lord (Khvalitye imya Gospodnye) Rejoice, O Nicholas, Great Wonderworker (Iz Akafista Svyatityelyu Nikolayu) Rejoice, O Virgin Mother of God (Bogoroditse Dyevo) Sacred Love (Lyubov svyataya) The ever-vigilant Mother of God (V molitvakh nyeusipayuschuyu Bogoroditsu) The Great Doxology (Slavoslovoye vyelikoye) The Great Doxology (Slavoslovoye vyelikoye No. 2)
TL;DR: In this article, Caddigan and James A. Brennan present a statement of responsibility for chorus TTBB, unaccompanied, for the first time, and present a set of chord diagrams.
Abstract: By Jack Caddigan and James A. Brennan. (statement of responsibility)
For chorus TTBB, unaccompanied.
Staff notation. (language)
TL;DR: The Prayer of Daniel as mentioned in this paper is a chamber piece in the style of an oratorio for vocal bass-baritone soloist, flute doubling on alto flute, B flat clarinet doubling on bass clarinet, violin, cello, piano, percussion on vibraphone and marimba, doumbek (a middle eastern drum), and men's chorus (TTBB).
Abstract: The Prayer of Daniel is a chamber piece in the style of an oratorio for vocal bass-baritone soloist, flute doubling on alto flute, B flat clarinet doubling on bass clarinet, violin, cello, piano, percussion on vibraphone and marimba, doumbek (a middle eastern drum), and men's chorus (TTBB). The approximate duration is thirty minutes.
The text comes from the Old Testament book of Daniel, Chapter 9 verses 4 through 19. In these passages the prophet Daniel rends from his heart a prayer of repentance, mercy and forgiveness on the behalf of a fallen nation. The harmonic language of the composition combines both classical contemporary and jazz sonorities. The rhythmic language is drawn from the meter of the text, and is used to underscore the emotion of the prayer. These elements combine to form a rich music experience that conveys the penitent heart of the prophet Daniel.