TL;DR: The Dialectics of Modernity on a South African Frontier is discussed in this article, where the authors move beyond the realm of "the long conversation" to examine changes in the material realities and notions of production, value, dress, architecture, medicine, and rights.
Abstract: Of Revelation and Revolution, Volume 2: The Dialectics of Modernity on a South African Frontier. JOHN L. COMAROFF and JEAN COMAROFF. Chicago IL: University of Chicago Press, 1997; 588 pp. This is a thoughtful, and thought-provoking, sequel to the much-discussed Of revelation and revolution, Volume one: Christianity, colonialism, and consciousness in South Africa. While Volume One dealt primarily with the initial encounter between British evangelists and the Southern Tswana of South Africa, Volume Two moves the story along, both chronologically and thematically, to how, over the course of a century, the encounter reshaped both the Southern Tswana and the British. In the process the Comaroffs move beyond the realm of "the long conversation" to examine changes in the material realities and notions of production, value, dress, architecture, medicine, and rights, and the hybrid form: which resulted. But the overarching theme of Volume One runs through Volume Two as well: that colonialism is best conceptualized as a cultural process rendered through the everyday and the mundane, and that this process is exemplified in the civilizing project of the missionaries. As with their first volume, this one is packed with original, occasionally brilliant, insights. While a sense of chronology occasionally falls victim to the authors' determination not to write a "history of events" - something as "apocalyptic" (p. 210) as rinderpest is mentioned only sporadically, in Chapters 3 and 4 - the authors deal to a greater extent than before with the economic and political processes of colonialism. The material realities of production, labor migration, and people's health are discussed in almost as much depth as the creation of modernist subjects and the "flow and counterflow of signs and objects" (p. 5). The study ranges widely across the historical and temporal landscape. We are treated to imaginative analyses of the ways in which value systems grounded in cattle and cash became linked, the conservatism of Southern Tswana women's clothing, European appropriations of African healing, and the ways in which the African National Congress and the Inkatha Freedom Party are each heir to a particular strand of colonial discourses on "rights." Yet - also as with Volume One - the authors ultimately offer a better sense of the European world than the Southern Tswana world. The thematic chapters usually begin with a thoughful examination of the British context, then move the reader to the terrain on which Tswana and British meet, with no comparable sense of what pre-existed the arrival of British missionaries in the region. This imbalance, which was widely criticized by Africanists after the publication of Volume One, is less pronounced here, perhaps because the documentary record is vastly richer for this later period. But the problematic implications for Volume One lurk in this volume as well. For example, the authors argue that the three classes of Tswana emerging as a result of their encounter with evangelists and colonial economies upper, middle, and lower peasantries -- generally paralleled differences in people's domestication of European commodities, healing, notions of production and rights, and the Gospel. …
TL;DR: In the second volume of a proposed three-volume study, Jean and John Comaroff continue their exploration of colonial evangelism and modernity in South Africa Moving beyond the opening moments of the encounter between the British Nonconformist missions and the Southern Tswana peoples, this volume explores the complex transactions - both epic and ordinary - among the people along this colonial frontier as discussed by the authors.
Abstract: In the second of a proposed three-volume study, Jean and John Comaroff continue their exploration of colonial evangelism and modernity in South Africa Moving beyond the opening moments of the encounter between the British Nonconformist missions and the Southern Tswana peoples, this volume explores the complex transactions - both epic and ordinary - among the people along this colonial frontier The authors trace many of the major themes of 20th-century South African history back to these formative encounters The relationship between the British evangelists and the Southern Tswana engendered complex exchanges of goods, signs, and cultural markers that shaped not only African existence but also bourgeois modernity "back home" in England The book demonstrates how the colonial attempt to "civilize" Africa set in motion a dialectical process that refashioned the everyday lives of all those drawn into its purview, creating hybrid cultural forms and potent global forces which persist in the postcolonial age
TL;DR: The authors explored the nature of historical consciousness, and its relation to culture, among the Tshidi-Barolong, a South African Tswana people on the basis of the imagery of two informants, a "madman" and a former migrant laborer.
Abstract: This essay explores the nature of historical consciousness, and its relation to culture, among the Tshidi-Barolong, a South African Tswana people On the basis of the imagery of two informants—a “madman” and a former migrant laborer—it examines not merely the content of Tshidi consciousness, but also its expressive forms These differ from the narrative modes of representation associated with “history” in Western contexts, and build on various poetic devices—most strikingly, on the rhetoric of contrast Thus the opposed concepts of work and labor, one associated with setswana (Tswana ways) and the other with sekgoa (European ways), are major tropes through which Tshidi construct their past and present Such rhetorical forms appear, on examination, to occur widely in situations of rapid change As a result, this excursion into the poetics of history illuminates very general questions concerning the connection between consciousness, culture, and representation [South Africa, Tswana, culture, consciousness, history, poetics, representation]
TL;DR: In this article, the authors present an account of Moffat's time as a missionary in South Africa, which they call Missionary Labours and Scenes in Southern Africa (1842).
Abstract: Robert Moffat, Scottish missionary and linguist, arrived in South Africa in 1817 under the aegis of the London Missionary Society. He pioneered missionary activity among the Tswana people and became deeply influential in South Africa, helping to open up the 'missionary road' north of the Cape and later criticising the Afrikaners and becoming an advocate of British imperial rule in the region. He was also the first transcriber of the Setswana language. Missionary Labours and Scenes in Southern Africa (1842) is an autobiographical account of Moffat's time as a missionary and contains, as he states in the preface, a 'faithful record of events which have occurred within the range of his experience and observation' that 'supplies much that may serve to illustrate the peculiar attributes of African society.' Missionary Labours was hugely popular with the Victorian readership and became a classic narrative of missionary activity in Africa.