TL;DR: In this article, the Lesbian Phallus and the Morphological Imaginary are discussed, as well as the Assumption of Sex, in the context of critical queering, passing and arguing with the real.
Abstract: Preface Acknowledgements Part 1: 1. Bodies that Matter 2. The Lesbian Phallus and the Morphological Imaginary 3. Phantasmatic Identification and the Assumption of Sex 4. Gender is Burning: Questions of Appropriation and Subversion Part 2: 5. 'Dangerous Crossing': Willa Cather's Masculine Names 6. Queering, Passing: Nella Larsen Rewrites Psychoanalysis 7. Arguing with the Real 8. Critically Queer. Notes. Index
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TL;DR: In this paper, the authors present a list of states that are essentially by-products of rationality, bias, and ideology, including sour grapes, as well as byproducts of belief, bias and ideology.
Abstract: Preface and acknowledgements 1. Rationality 2. States that are essentially by-products 3. Sour grapes 4. Belief, bias and ideology References Index.
TL;DR: The body politics of Julia Kristeva and the Body Politics of JuliaKristeva as discussed by the authors are discussed in detail in Section 5.1.1 and Section 6.2.1.
Abstract: Preface (1999) Preface (1990) 1. Subjects of Sex/Gender/Desire I. 'Women' as the Subject of Feminism II. The Compulsory Order of Sex/Gender/Desire III. Gender: The Circular Ruins of Contemporary Debate IV. Theorizing the Binary, the Unitary and Beyond V. Identity, Sex and the Metaphysics of Substance VI. Language, Power and the Strategies of Displacement 2. Prohibition, Psychoanalysis, and the Production of the Heterosexual Matrix I. Structuralism's Critical Exchange II. Lacan, Riviere, and the Strategies of Masquerade III. Freud and the Melancholia of Gender IV. Gender Complexity and the Limits of Identification V. Reformulating Prohibition as Power 3. Subversive Bodily Acts I. The Body Politics of Julia Kristeva II. Foucault, Herculine, and the Politics of Sexual Discontinuity III. Monique Wittig - Bodily Disintegration and Fictive Sex IV. Bodily Inscriptions, Performative Subversions Conclusion - From Parody to Politics