TL;DR: The book covers Ada's collaboration with Babbage, her position in the Victorian and steampunk literature, her representation in contemporary art and comics, and her increasing relevance in promoting women in science and technology.
TL;DR: In this article, the authors present a survey of the Fin-De-Siècle Poetry, Aestheticism, and the politics of friendship in the 20th century.
Abstract: Binnie, Jon. The Globalization of Sexuality. London: Sage, 2004. Print. Cook, Matt. Queer Domesticities: Homosexuality and Home Life in Twentieth-Century London. New York: Palgrave, 2014. Print. Denisoff, Dennis. “Oscar Wilde’s Convictions, Speciesism, and the Pain of Individualism.” A Companion to Irish Literature. Ed. Julia Wright. Oxford: Blackwell, 2010. 476-90. Print. Ehnenn, Jill R. Women’s Literary Collaboration, Queerness, and Late-Victorian Culture. Burlington: Ashgate, 2008. Print. Field, Michael. Works and Days. Ed. T. Sturge Moore and D.C. Sturge Moore. London: J. Murray, 1933. Print. Gandhi, Leela. Affective Communities: Anticolonial Thought, Fin-De-Siècle Radicalism, and the Politics of Friendship. Durham: Duke UP, 2005. Print. Laird, Holly. “The Death of the Author by Suicide: Fin-De-Siècle Poets and the Construction of Identity.” The Fin-De-Siècle Poem: English Literary Culture and the 1890s. Ed. Joseph Bristow. Athens: Ohio UP, 2005. 116-51. Print. Maltz, Diana. “Katharine Bradley and Ethical Socialism.” Michael Field and Their World. Ed. Margaret Diane Stetz and Cheryl Ann Wilson. High Wycombe: Rivendale, 2007. 191-201. Print. Singh, Brijraj Bhushan. The Development of a Critical Tradition from Pater to Yeats. Delhi: Macmillan, 1978. Print. Thain, Marion. “Michael Field”: Poetry, Aestheticism, and the Fin de Siècle. New York: Cambridge UP, 2007. Print. Tildesley, Michael. The Century Guild Hobby Horse and Oscar Wilde: A Study of British Little Magazines, 1884–97. Diss. Durham U. Durham: Durham eTheses Online, 2011. Web. 24 Oct. 2015. The Trial of Oscar Wilde from the Shorthand Reports. Paris: Charles Carrington, 1906. Print.
TL;DR: In this paper, an attempt to classify the bijouterie made in this style is made to observe how changing the semantic content of steampunk during translation in the jeweler's art.
Abstract: Steampunk originated in the science fiction, it is beyond the scope of literary works, penetrates into other areas of modern culture, including in designer bijouterie. Attempt to classify the bijouterie made in this style is made to observe how changing the semantic content of steampunk during translation in the jeweler’s art
TL;DR: The Bas-Lag trilogy of steampunk novels by China Mieville has been analyzed by as discussed by the authors as a critique of high imperialism, industrialization, capitalism, and racism.
Abstract: Beginning with a precis of China Mieville’s oeuvre and progressive political activism, this chapter interrogates the radical geographies of his Bas-Lag, a fictional world depicted in Perdido Street Station (2000), The Scar (2002), and Iron Council (2004) Saunders offers a geocriticism of Bas-Lag’s literary cartographies to analyze it as an expansive yet meticulously detailed imaginary that critiques high imperialism, industrialization, capitalism, and racism The chapter concludes that Mieville’s deft use of geohistorical allegory makes his Bas-Lag trilogy something much more than an intoxicating series of steampunk novels; instead, it is best understood as a reflexive political treatise in a new language, that of popular geopolitics
TL;DR: In this article, an in-depth literature review and empirical study was conducted to understand the utilization of steampunk in all realms through an in depth literature review, and the findings as a foundation, analyzed examples shown in fashion designs that are put into real production, and those designs that can provide inspiration for further design development.
Abstract: Born in the 19th century as an intermediate between the past and the future, steampunk provides a strong feeling of fantasy. The objective of this research is to understand the utilization of steampunk in all realms through an in-depth literature review and empirical study. Taking the findings as a foundation, we will analyze examples shown in fashion designs that are put into real production, and those designs that can provide inspiration for further design development. The research methodology will constitute a major analysis of advanced research, internet materials, and literature. Photo materials will be collected from professional websites for steampunk. The product method such as follows. Firstly, we will classify the internal meaning of characteristics in steampunk that are similar to the characteristics that are being researched, then take it as the standard and arrange to integrate all five features: restoration, pluralism, duplicity, resistibility and abnormality. We will spread out the design based on images from advanced research. Secondly, in order for to design a steampunk product, I decided on four themes: devastated environment, brutal wars, cool-headed machinery, and the overlap of the future and the past. Inspiration was acquired from representative movies and animations featuring steampunk. Thus, new directions for fashion design with steampunk features can be discovered. It raises the feasibility of this combination in modern society. In the future with the development of technology, it functions as a design that is easy for users to approach.
TL;DR: This research explores the application of steampunk characteristics in fashion design, analyzing existing designs and identifying new directions through a literature review and empirical study, with a focus on restoration, pluralism, and other key features.
Abstract: Born in the 19th century as an intermediate between the past and the future, steampunk provides a strong feeling of fantasy. The objective of this research is to understand the utilization of steampunk in all realms through an in-depth literature review and empirical study. Taking the findings as a foundation, we will analyze examples shown in fashion designs that are put into real production, and those designs that can provide inspiration for further design development. The research methodology will constitute a major analysis of advanced research, internet materials, and literature. Photo materials will be collected from professional websites for steampunk. The product method such as follows. Firstly, we will classify the internal meaning of characteristics in steampunk that are similar to the characteristics that are being researched, then take it as the standard and arrange to integrate all five features: restoration, pluralism, duplicity, resistibility and abnormality. We will spread out the design based on images from advanced research. Secondly, in order for to design a steampunk product, I decided on four themes: devastated environment, brutal wars, cool-headed machinery, and the overlap of the future and the past. Inspiration was acquired from representative movies and animations featuring steampunk. Thus, new directions for fashion design with steampunk features can be discovered. It raises the feasibility of this combination in modern society. In the future with the development of technology, it functions as a design that is easy for users to approach.