Sadness

Abstract: This article presents a theory of how different types of discrepancies between self-state representations are related to different kinds of emotional vulnerabilities. One domain of the self (actual; ideal; ought) and one standpoint on the self (own; significant other) constitute each type of self-state representation. It is proposed that different types of self-discrepancies represent different types of negative psychological situations that are associated with different kinds of discomfort. Discrepancies between the actual/own self-state (i.e., the self-concept) and ideal self-states (i.e., representations of an individual's beliefs about his or her own or a sitmifieant other's hopes, wishes, or aspirations for the individual) signify the absence of positive outcomes, which is associated with dejection-related emotions (e.g., disappointment, dissatisfaction, sadness). In contrast, discrepancies between the actual/own self-state and ought self-states (i.e., representations of an individual's beliefs about his or her own or a significant other's beliefs about the individual's duties, responsibilities, or obligations) signify the presence of negative outcomes, which is associated with agitation-related emotions (e.g., fear, threat, restlessness). Differences in both the relative magnitude and the accessibility of individuals' available types of self-discrepancies are predicted to be related to differences in the kinds of discomfort people are likely to experience. Correlational and experimental evidence supports the predictions of the model. Differences between self-discrepancy theory and (a) other theories of incompatible self-beliefs and (b) actual self negativity (e.g., low self-esteem) are discussed.

Abstract: Researchers interested in emotion have long struggled with the problem of how to elicit emotional responses in the laboratory. In this article, we summarise five years of work to develop a set of films that reliably elicit each of eight emotional states (amusement, anger, contentment, disgust, fear, neutral, sadness, and surprise). After evaluating over 250 films, we showed selected film clips to an ethnically diverse sample of 494 English-speaking subjects. We then chose the two best films for each of the eight target emotions based on the intensity and discreteness of subjects' responses to each film. We found that our set of 16 films successfully elicited amusement, anger, contentment. disgust, sadness, surprise, a relatively neutral state, and, to a lesser extent, fear. We compare this set of films with another set recently described by Philippot (1993), and indicate that detailed instructions for creating our set of film stimuli will be provided on request.