About: Reader-response criticism is a research topic. Over the lifetime, 146 publications have been published within this topic receiving 5311 citations. The topic is also known as: reception aesthetics.
TL;DR: In this paper, the authors present a review of literature in the reader: Affective stylistics, structuralist homiletics, and interpretive authority in the classroom and in literature.
Abstract: PART ONE: Literature in the Reader 1. Literature in the Reader: Affective Stylistics 2. What Is Stylistics and Why Are They Saying Such Terrible Things About It? 3. How Ordinary Is Ordinary Language? 4. What It's Like To Read L'Allegro and II Penseroso 5. Facts and Fictions: A Reply to Ralph Rader 6. Interpreting the Variorum 7. Interpreting "Interpreting the Variorum" 8. Structuralist Homiletics 9. How To Do Things with Austin and Searle: Speech- Act Theory and Literary Criticism 10. What Is Stylistics and Why Are They Saying Such Terrible Things About It? Part II 11. Normal Circumstances and Other Special Cases 12. A Reply to John Reichert PART TWO: Interpretive Authority in the Classroom and in Literary Criticism 13. Is There a Text in This Class? 14. How To Recognize a Poem When You See One 15. What Makes an Interpretation Acceptable? 16. Demonstration vs. Persuasion: Two Models of Critical Activity Notes Index
TL;DR: Iser as mentioned in this paper analyzed major works of English fiction ranging from Bunyan, Fielding, Scott, and Thackeray to Joyce and Beckett, and provided a framework for a theory of such literary effects and aesthetic responses.
Abstract: Like no other art form, the novel confronts its readers with circumstances arising from their own environment of social and historical norms and stimulates them to assess and criticize their surroundings. By analyzing major works of English fiction ranging from Bunyan, Fielding, Scott, and Thackeray to Joyce and Beckett, renowned critic Wolfgang Iser here provides a framework for a theory of such literary effects and aesthetic responses. Iser's focus is on the theme of discovery, whereby the reader is given the chance to recognize the deficiencies of his own existence and the suggested solutions to counterbalance them. The content and form of this discovery is the calculated response of the reader -- the implied reader. In discovering the expectations and presuppositions that underlie all his perceptions, the reader learns to "read" himself as he does the text.
TL;DR: In this paper, Bleich, Culler, Stanley Fish, Walker Gibson, Norman N. Holland, Wolfgang Iser, Walter Benn Michaels, Georges Poulet, Gerald Prince, and Michael Riffaterre.
Abstract: With contributions by David Bleich, Jonathan Culler, Stanley Fish, Walker Gibson, Norman N. Holland, Wolfgang Iser, Walter Benn Michaels, Georges Poulet, Gerald Prince, and Michael Riffaterre.