TL;DR: Hartley as discussed by the authors discusses the psychodynamics of orality of language in the context of the oral past and present, and the evolution of the human mind from oral to written language.
Abstract: John Hartley: Before Ongism: "To become what we want to be, we have to decide what we were" Orality & Literacy: The Technologization Of The Word Introduction Part 1: The orality of language 1. The literate mind and the oral past 2. Did you say 'oral literature'? Part 2: The modern discovery of primary oral cultures 1. Early awareness of oral tradition 2. The Homeric question 3. Milman Parry's discovery 4. Consequent and related work Part 3: Some psychodynamics of orality 1. Sounded word as power and action 2. You know what you can recall: mnemonics and formulas 3. Further characteristics of orally based thought and expression 4. Additive rather than subordinative 5. Aggregative rather than analytic 6. Redundant or 'copious' 7. Conservative or traditionalist 8. Close to the human lifeworld 9. Agonistically toned 10. Empathetic and participatory rather than objectively distanced 11. Homeostatic 12. Situational rather than abstract 13. Oral memorization 14. Verbomotor lifestyle 15. The noetic role of heroic 'heavy' figures and of the bizarre 16. The interiority of sound 17. Orality, community and the sacral 18. Words are not signs Part 4: Writing restructures consciousness 1. The new world of autonomous discourse 2. Plato, writing and computers 3. Writing is a technology 4. What is 'writing' or 'script'? 5. Many scripts but only one alphabet 6. The onset of literacy 7. From memory to written records 8. Some dynamics of textuality 9. Distance, precision, grapholects and magnavocabularies 10. Interactions: rhetoric and the places 11. Interactions: learned languages 12. Tenaciousness of orality Part 5: Print, space and closure 1. Hearing-dominance yields to sight-dominance 2. Space and meaning 3. Indexes 4. Books, contents and labels 5. Meaningful surface 6. Typographic space 7. More diffuse effects 8. Print and closure: intertextuality 9. Post-typography: electronics Part 6: Oral memory, the story line and characterization 1. The primacy of the story line 2. Narrative and oral cultures 3. Oral memory and the story line 4. Closure of plot: travelogue to detective story 5. The 'round' character, writing and print Part 7: Some theorems 1. Literary history 2. New Criticism and Formalism 3. Structuralism 4. Textualists and deconstructionists 5. Speech-act and reader-response theory 6. Social sciences, philosophy, biblical studies 7. Orality, writing and being human 8. 'Media' versus human communication 9. The inward turn: consciousness and the text John Hartley: After Ongism: The Evolution of Networked Intelligence
TL;DR: This paper found that typically oral and typically written discourse reflect relatively more focus on interpersonal involvement and content, respectively, and concluded that it is not orality and literacy per se that accounts for the findings of the oral/literate research.
Abstract: In my research on discourse over the last few years, I became aware that theoretical work done in the fields of anthropology, rhetoric, and psychology on oral and literate tradition sheds light on a variety of discourse phenomena. In investigating how this is so, I concluded that it is not orality and literacy per se that accounts for the findings of the oral/literate research, but rather that typically oral and typically written discourse reflects relatively more focus on interpersonal involvement and content, respectively. However, there is something very tantalizing about dichotomies, and something catchy about the notion of orality versus literacy. People continued to walk away from my talks and my articles with the oral/ literate split more prominent in their minds than what I intended as my main idea: that it is not orality vs. literacy per se that is the key distinction, but relative focus on involvement vs. content.
TL;DR: In this paper, the repetitions and variations that can be found in the catalogical transmission of the first mythical Athenian kings as a consequence of the transition from orality to writing are studied.
Abstract: In its first part, this paper studies the repetitions and variations that can be found in the catalogical transmission of the first mythical Athenian kings as a consequence of the transition from orality to writing. The second part discusses Erichthonius' birth myth according to Pausanias, searches for the mythological meaning of the wool in connexion with related ritual aspects and scientific analogies, and emphasizes the role of the virgin goddess Athena in the institutionalizing of human fecundity and sexual relationship.
TL;DR: Ong's classic work provides a fascinating insight into the social effects of oral, written, printed and electronic technologies, and their impact on philosophical, theological, scientific and literary thought as mentioned in this paper.
Abstract: Walter J. Ong’s classic work provides a fascinating insight into the social effects of oral, written, printed and electronic technologies, and their impact on philosophical, theological, scientific and literary thought.
This thirtieth anniversary edition – coinciding with Ong’s centenary year – reproduces his best-known and most influential book in full and brings it up to date with two new exploratory essays by cultural writer and critic John Hartley.
Hartley provides:
A scene-setting chapter that situates Ong’s work within the historical and disciplinary context of post-war Americanism and the rise of communication and media studies;
A closing chapter that follows up Ong’s work on orality and literacy in relation to evolving media forms, with a discussion of recent criticisms of Ong’s approach, and an assessment of his concept of the ‘evolution of consciousness’;
Extensive references to recent scholarship on orality, literacy and the study of knowledge technologies, tracing changes in how we know what we know.
These illuminating essays contextualize Ong within recent intellectual history, and display his work’s continuing force in the ongoing study of the relationship between literature and the media, as well as that of psychology, education and sociological thought.