About: Object-oriented ontology is a research topic. Over the lifetime, 111 publications have been published within this topic receiving 2415 citations. The topic is also known as: OOO.
TL;DR: In this article, the author explains Heidegger's famous tool-analysis and then extends it beyond the narrow theory of human practical activity to create an ontology of objects themselves, a welcome alternative to the linguistic turn that has dominated recent analytic and Continental philosophy.
Abstract: In this groundbreaking work, the author explains Heidegger's famous tool-analysis and then extends it beyond Heidegger's narrower theory of human practical activity to create an ontology of objects themselves. A welcome alternative to the linguistic turn that has dominated recent analytic and Continental philosophy, Tool-Being urges a fresh and concrete exploration into the secret contours of objects. Written in a lively and colorful style, it will be of interest to anyone open to new trends in contemporary philosophy.
TL;DR: Bryant as mentioned in this paper proposes that objects are dynamic systems that relate to the world under conditions of operational closure and develops a realist ontology, called -onticology-, which argues that being is composed entirely of objects, properties, and relations.
Abstract: In The Democracy of Objects Bryant proposes that we break with the epistemological tradition and once again initiate the project of ontology as first philosophy. Bryant develops a realist ontology, called -onticology-, which argues that being is composed entirely of objects, properties, and relations. Bryant proposes that objects are dynamic systems that relate to the world under conditions of operational closure.
TL;DR: The Object-Oriented Ontology (OOPO) philosophy as discussed by the authors is one of the most popular ontology theories in contemporary art and philosophy, and has been widely recognized as a key figure in the contemporary speculative realism movement.
Abstract: What is reality, really? Are humans more special or important than the non-human objects we perceive? How does this change the way we understand the world? We humans tend to believe that things are only real in as much as we perceive them, an idea reinforced by modern philosophy, which privileges us as special, radically different in kind from all other objects. But as Graham Harman, one of the theory's leading exponents, shows, Object-Oriented Ontology rejects the idea of human specialness: the world, he states, is clearly not the world as manifest to humans. At the heart of this philosophy is the idea that objects - whether real, fictional, natural, artificial, human or non-human - are mutually autonomous. In this brilliant new introduction, Graham Harman lays out the history, ideas and impact of Object-Oriented Ontology, taking in everything from art and literature, politics and natural science along the way. Graham Harman is Distinguished Professor of Philosophy at SCI-Arc, Los Angeles. A key figure in the contemporary speculative realism movement in philosophy and for his development of the field of object-oriented ontology, he was named by Art Review magazine as one of the 100 most influential figures in international art.
TL;DR: In this paper, a conceptual framework based on assemblage theory and object-oriented ontology details how consumer experience and object experience emerge in the IoT and defines consumer experience by its emergent properties, capacities, and agentic and communal roles expressed in interaction.
Abstract: The consumer Internet of Things (IoT) has the potential to revolutionize consumer experience. Because consumers can actively interact with smart objects, the traditional, human-centric conceptualization of consumer experience as consumers’ internal subjective responses to branded objects may not be sufficient to conceptualize consumer experience in the IoT. Smart objects possess their own unique capacities and their own kinds of experiences in interaction with the consumer and each other. A conceptual framework based on assemblage theory and object-oriented ontology details how consumer experience and object experience emerge in the IoT. This conceptualization is anchored in the context of consumer-object assemblages, and defines consumer experience by its emergent properties, capacities, and agentic and communal roles expressed in interaction. Four specific consumer experience assemblages emerge: enabling experiences, comprising agentic self-extension and communal self-expansion, and constraining experiences, comprising agentic self-restriction and communal self-reduction. A parallel conceptualization of the construct of object experience argues that it can be accessed by consumers through object-oriented anthropomorphism, a nonhuman-centric approach to evaluating the expressive roles objects play in interaction. Directions for future research are derived, and consumer researchers are invited to join a dialogue about the important themes underlying our framework.
TL;DR: In this paper, Timothy Morton explores what it means to say that a thing has come into being, that it is persisting, and that it has ended, drawing from examples in physics, biology, ecology, art, literature and music, Morton demonstrates the counterintuitive yet elegant explanatory power of OOO for thinking causality.
Abstract: Object-oriented ontology offers a startlingly fresh way to think about causality that takes into account developments in physics since 1900. Causality, argues, Object Oriented Ontology (OOO), is aesthetic. In this book, Timothy Morton explores what it means to say that a thing has come into being, that it is persisting, and that it has ended. Drawing from examples in physics, biology, ecology, art, literature and music, Morton demonstrates the counterintuitive yet elegant explanatory power of OOO for thinking causality.