About: Kodály method is a research topic. Over the lifetime, 22 publications have been published within this topic receiving 254 citations. The topic is also known as: Kodaly Method.
TL;DR: A comparison of the four most popular music education methods used in North America can be found in this paper, including the Kodaly Method, the Orff Approach, the Comprehensive Musicianship, and the Approach of Jacques-Dalcroze.
Abstract: Unique in both content and approach this book offers a single-volume authoritative comparison of the four most popular music education methods used in North America -- Jacques-Dalcroze, Kodaly, Orff, and Comprehensive Musicianship. Its in-depth examination of the methods and underlying philosophies of each method -- and its suggested lessons for each method at each grade level -- will help readers make knowledgeable curricular choices among methods. Both the New National Standards (MENC) and the use of technology in the study of music are described and discussed in relation to all four methods. Method in North American Music Teaching -- The Beginning. Influences on Methods, Approaches, and Philosophies of Teaching Music. Technology and Music Education. The Approach of Jacques-Dalcroze. The Kodaly Method. The Orff Approach. Comprehensive Musicianship: An American Technique and Philosophy for Teaching Music. Achieving Goals and Objectives in School Music Programs Via the Principles of Jacques-Dalcroze, Kodaly, Orff, and Comprehensive Musicianship. Grades K-12. Grades 3-4-5. Grades 6-7-8. Method in Music for Older Students. Which Method?
TL;DR: In this article, the authors examined the impact of music education on mathematics achievement in preschool children using a pseudo-experimental design, in which 35 preschool children involved in a music program treatment were compared to 39 preschool children without musical experience.
Abstract: Assuming that young children's involvement in music programs provides a conceptual foundation for subjects such as mathematics, this study examined the impact of music education on mathematics achievement in preschool children. A pseudo-experimental design was used in which 35 preschool children involved in a music program treatment were compared at school entry to 39 preschool children without musical experience. All children were from families with similar socioeconomic levels. The music program was based on Kodaly techniques, sequenced to teach concepts of pitch, dynamics, duration, timbre, and form, as well as skills in moving, listening, singing, and organizing sounds. Children participated in one 1-hour session per week for 10 months. They were compared on the Test of Early Mathematics Ability-2 (TEMA-2). Initial results indicated that the music group had higher TEMA-2 mean scores than children without musical experience. However, musical experience in the home and other pre-existing differences may have contributed to group differences. The experimental group was further divided into two groups, children with home music, and children with no music at home. There were no differences in mathematics achievement between the comparison group and the experimental group without music at home. However, the experimental group with music at home scored higher in mathematics achievement than the experimental group without music at home. Two home music activities were related to mathematics achievement: listening to their own music collection, and listening to a family member sing to them. (Contains 25 references.) (KDFB) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. ************************************************************************
TL;DR: This paper investigated the contributions of tonal syllables, hand signs, and letter representations of syllables to the development of verbal and symbolic syllable skills of first-grade students, and found that the syllables do, re, mi, sol, and la were the most commonly used syllables.
Abstract: In this study, I investigated the contributions of tonal syllables, hand signs, and letter representations of tonal syllables, as well as high and low levels of tonal aptitude and school readiness, to the development of verbal and symbolic tonal syllable skills of first-grade students. During Part 1 (17 weeks), all groups echoed tonal patterns with tonal syllables during the first 9 minutes of every class meeting—normally three per week. Group 1 echoed the patterns with tonal syllables only, whereas Groups 2 and 3 echoed and used hand signs; Group 3 also viewed letter representations of the patterns on cards. The patterns, randomly chosen from a 378-item list of three- and four-note tonal patterns, used the syllables do, re, mi, sol, and la; a range from C4 (middle C) to A4 was always used. During Part 2 (17 weeks), all groups echoed tonal patterns but also saw them written in noteheads on a staff. Every other class meeting Group 3 viewed letter representations on the staff instead of note-heads.A three-w...