Gestapo

Abstract: When the African-American dancer Josephine Baker visited Berlin in 1925, she found it dazzling. "The city had a jewel-like sparkle," she said, "the vast cafes reminded me of ocean liners powered by the rhythms of their orchestras. There was music everywhere." Eager to look ahead after the crushing defeat of World War I, Weimar Germany embraced the modernism that swept through Europe and was crazy over jazz. But with the rise of National Socialism came censorship and proscription: an art form born on foreign soil and presided over by Negroes and Jews could have no place in the culture of a "master race." In Different Drummers, Michael Kater-a distinguished historian and himself a jazz musician-explores the underground history of jazz in Hitler's Germany. He offers a frightening and fascinating look at life and popular culture during the Third Reich, showing that for the Nazis, jazz was an especially threatening form of expression. Not only were its creators at the very bottom of the Nazi racial hierarchy, but the very essence of jazz-spontaneity, improvisation, and, above all, individuality-represented a direct challenge to the repetitive, simple, uniform pulse of German march music and indeed everyday life. The fact that many of the most talented European jazz artists were Jewish only made the music more objectionable. In tracing the growth of what would become a bold and eloquent form of social protest, Kater mines a trove of previously untapped archival records and assembles interviews with surviving witnesses as he brings to life a little-known aspect of wartime Germany. He introduces us to groups such as the Weintraub Syncopators, Germany's best indigenous jazz band; the Harlem Club of Frankfurt, whose male members wore their hair long in defiance of Nazi conventions; and the Hamburg Swings-the most daring radicals of all-who openly challenged the Gestapo with a series of mass dance rallies. More than once these demonstrations turned violent, with the Swings and the Hitler Youth fighting it out in the streets. In the end we come to realize that jazz not only survived persecution, but became a powerful symbol of political disobedience-and even resistance-in wartime Germany. And as we witness the vacillations of the Nazi regime (while they worked toward its ultimate extinction, they used jazz for their own propaganda purposes), we see that the myth of Nazi social control was, to a large degree, just that-Hitler's dictatorship never became as pure and effective a form of totalitarianism as we are sometimes led to believe. With its vivid portraits of all the key figures, Different Drummers provides a unique glimpse of a counter-culture virtually unexamined until now. It is a provocative account that reminds us that, even in the face of the most unspeakable oppression, the human spirit endures.

Abstract: The Gestapo (Geheime Staatspolizei, or Secret State Police) has become synonymous with the most sinister characteristics of the Nazi dictatorship. Along with the SS (Schutz Staffel), it was the key institution in the terror system introduced after 1933 inside Germany, and its main duty, according to a 1936 law, was "to investigate and suppress all anti-State tendencies" throughout the country. I In fact, at home and later in the occupied areas, the Gestapo assumed a dominant role not only in the regime's effort to destroy resistance of any kind but also in the attempt to enforce the numerous policies designed to regulate behavior in the area of "politics" (broadly defined). The Gestapo was charged with enforcing laws, regulations, ordinances, and decrees that developed out of the emergency legislation enacted in the wake of the Reichstag Fire of 1933; there were laws against treason as well as numerous special regulations dealing, for example, with offences directed at the Nazi party and party name, the state and national symbols, the economy and economic sabotage, and malicious gossip. The Gestapo was particularly active in some of the regime's most blatant racist campaigns. It was given the task of enforcing the literally hundreds of laws and decrees pertaining to matters of race in regard to the Jews, in addition to the many governing the whereabouts of the millions of foreign workers brought to Germany after 1939.2 The secret police was ultimately the regime's most important domestic

Abstract: This book probes the background of the ultimately unexplainable evil of our century, the deliberate and unprovoked murder of millions of European Jews--and goes on to explore German reactions to that evil. Depicting the emergence in Weimar Germany of a new type of extreme anti-Semite, of which Hitler was the paramount example, Sarah Gordon discusses a number of related questions about the role of anti-Semitism in the rise of the Nazis and draws on hitherto unexamined Gestapo files, new data on court sentences, and a variety of other sources to describe the tiny numbers of courageous Germans who opposed Nazi anti-Semitism. She analyzes Hitler's own deranged world view, his use of his feelings about Jews as a political tool, and the extent of the German people's knowledge of his intentions and actions; she examines the history of German anti-Semitism from 1870 through the Nazi years; and she indicates several reasons for thinking that anti-Semitism, however virulent in certain individuals and groups, was not the major reason for Nazi electoral successes. No apologia for the German people, this work shows how a minority of extreme anti-Semites coexisted in Germany with the indifferent or fearfully disapproving majority, while the heroic few assumed the extreme risks of opposition. It offers a clear picture of the kinds of people who aided the Jews or publicly criticized their persecution, including surprising evidence of opposition in the Nazi party itself. In addition, it questions widely held beliefs that older Germans, males, Protestants, and the middle classes were disproportionately anti-Semitic; that bluecollar workers were basically immune to anti-Semitism; and that most Nazis were radical anti-Semites. It also discusses such subjects as the attitudes of German churches, the role of the military, and the socio-economic characteristics of Jews in Germany.

Abstract: Who's Who in Nazi Germany looks at the individuals who influenced every aspect of life in Nazi Germany. It covers a representative cross-section of German society from 1933-1945, and includes: * Nazi Party leaders; SS, Wehrmacht and Gestapo personalities; civil service and diplomatic personnel * industrialists, churchmen, intellectuals, artists, entertainers and sports personalities * resistance leaders, political dissidents, critics and victims of the regime * extensive biographical information on each figure extending into the post-war period * analysis of their role and significance in Nazi Germany * an accessible, easy to use A-Z layout * a glossary and comprehensive bibliography.