TL;DR: This documental study was intended to understand the meanings individuals who have lost loved ones in this context assign to the phenomenon of suppressed funeral rituals to provide support and comfort to family members, friends, and relatives.
Abstract: Objective amidst the greatest health crisis in history triggered by COVID-19, this documental study was intended to understand the meanings individuals who have lost loved ones in this context assign to the phenomenon of suppressed funeral rituals. Method based on the theory of grief, the corpus of this study was composed of documents published in digital media containing personal writings and reports of experiences freely and easily available to the public. Two researchers with expertise in the field used inductive thematic analysis to interpret data. Results the experiences shared in the reports reflect the suffering experienced by the sudden death of a significant person, which is amplified by the absence or impediment to performing familial farewell rituals. The suppression or abbreviation of funeral rituals is a traumatic experience because family members are prevented from fulfilling their last homage to the loved one who has suddenly passed away, causing feelings of disbelief and indignation. Conclusion alternatives and new ways to celebrate passage rituals in emergencies of strong social commotion such as a pandemic are needed to provide support and comfort to family members, friends, and relatives. These rituals help survivors to overcome the critical moment, decreasing the risk of developing complicated grief.
TL;DR: A survey in the UK of potential whole-body donors for dissection found that 69% believed in one or more supernatural phenomena, and 69% requested cremation after dissection; 2% wanted to be buried.
TL;DR: The link between weddings and death plays a central role in the action of many Greek tragedies as discussed by the authors, and the conflation of the two ceremonies comes to theatrical life in the tragedies of Aeschylus, Sophokles, and Euripides by focusing on the dramatization of important women in ancient Athenian society.
Abstract: The link between weddings and death--as found in dramas ranging from Romeo and Juliet to Lorca's Blood Wedding--plays a central role in the action of many Greek tragedies Female characters such as Kassandra, Antigone, and Helen enact and refer to significant parts of wedding and funeral rites, but often in a twisted fashion Over time the pressure of dramatic events causes the distinctions between weddings and funerals to disappear In this book, Rush Rehm considers how and why the conflation of the two ceremonies comes to theatrical life in the tragedies of Aeschylus, Sophokles, and Euripides By focusing on the dramatization of important rituals conducted by women in ancient Athenian society, Rehm offers a new perspective on Greek tragedy and the challenges it posed for its audience The conflation of weddings and funerals, the author argues, unleashes a kind of dramatic alchemy whereby female characters become the bearers of new possibilities Such a formulation enables the tragedians to explore the limitations of traditional thinking and acting in fifth- century Athens Rehm finds that when tragic weddings and funerals become confused and perverted, the aftershocks disturb the political and ideological givens of Athenian society, challenging the audience to consider new, and often radically different, directions for their city
TL;DR: In the late-eleventh and early twelfth centuries, French and English royal burials were relatively unceremonial, low-key affairs, a contrast with the obsequies of other contemporary rulers such as the Holy Roman emperors.