About: Duration (philosophy) is a research topic. Over the lifetime, 285 publications have been published within this topic receiving 2858 citations. The topic is also known as: duration (philosophy).
TL;DR: Grosz's essays brought together in this volume as discussed by the authors explore how rethinking temporality might transform and revitalize key scholarly and political projects, dealing with time in relation to topics ranging from female sexuality to conceptions of power to understandings of cultural studies.
Abstract: While concepts of time underlie many of the central projects of feminist theory, law and justice, and the natural sciences as well as ideas about political struggle, temporality is rarely their direct object of analysis. In her essays brought together in this volume, Elizabeth Grosz moves questions about time and duration to the fore in order to explore how rethinking temporality might transform and revitalize key scholarly and political projects. Dealing with time in relation to topics ranging from female sexuality to conceptions of power to understandings of cultural studies, these essays reveal Grosz's advocacy of a politics of invention, a politics that cannot be mapped out in advance--one that is more invested in processes than in results. Grosz's reflections on how rethinking time might generate new understandings of nature, culture, subjectivity, and politics are wide-ranging. She moves from a compelling argument that Charles Darwin's notion of biological and cultural evolution can potentially benefit feminist, queer, and antiracist agendas to an exploration of modern jurisprudence's reliance on the sense that the future is always beyond reach. She examines Henri Bergson's philosophy of duration in light of the writings of Gilles Deleuze, Maurice Merleau-Ponty, and William James, and she discusses issues of sexual difference, identity, pleasure, and desire in relation to the thought of Friedrich Nietzsche, Michel Foucault, Deleuze, and Luce Irigaray. Together, these essays demonstrate the broad scope and applicability of Grosz's thinking about time as an under-theorized but uniquely productive force.
TL;DR: Erin Manning as mentioned in this paper proposes a new philosophy of movement challenging the idea that movement is simple displacement in space, knowable only in terms of the actual, arguing for the intensity of movement, which makes palpable how movement creates relational intervals out of which displacements take form.
Abstract: With Relationscapes, Erin Manning offers a new philosophy of movement challenging the idea that movement is simple displacement in space, knowable only in terms of the actual. Exploring the relation between sensation and thought through the prisms of dance, cinema, art, and new media, Manning argues for the intensity of movement. From this idea of intensity -- the incipiency at the heart of movement -- Manning develops the concept of preacceleration, which makes palpable how movement creates relational intervals out of which displacements take form. Discussing her theory of incipient movement in terms of dance and relational movement, Manning describes choreographic practices that work to develop with a body in movement rather than simply stabilizing that body into patterns of displacement. She examines the movement-images of Leni Riefenstahl, Etienne-Jules Marey, and Norman McLaren (drawing on Bergson's idea of duration), and explores the dot-paintings of contemporary Australian Aboriginal artists. Turning to language, Manning proposes a theory of prearticulation claiming that language's affective force depends on a concept of thought in motion. Relationscapes takes a "Whiteheadian perspective," recognizing Whitehead's importance and his influence on process philosophers of the late twentieth century -- Deleuze and Guattari in particular. It will be of special interest to scholars in new media, philosophy, dance studies, film theory, and art history.
TL;DR: A review of some basic facts of classical dynamics shows that time, or precisely duration, is redundant as a fundamental concept as mentioned in this paper, and that duration and the behaviour of clocks emerge from a timeless law that governs change.
Abstract: A review of some basic facts of classical dynamics shows that time, or precisely duration, is redundant as a fundamental concept. Duration and the behaviour of clocks emerge from a timeless law that governs change.
TL;DR: In this paper, the authors introduce the concept of time as a virtual multiplicity and introduce the Simple Virtual: A Renewed Thinking of the One, and the Elan Vital as an Image of Thought: Bergson and Kant on Finality.
Abstract: Acknowledgements Introduction 1. Introducing Time as a Virtual Multiplicity 2. 'A Life of the Real' and a Single Time: Relativity and Virtual Multiplicity 3. Duration and Evolution: The Time of Life 4. The Simple Virtual: A Renewed Thinking of the One 5. The Elan Vital as an Image of Thought: Bergson and Kant on Finality 6. Virtual Image: Bergson on Matter and Perception 7. Redeeming the Time of Life: From Psychology to an Ontology of the Virtual Bibliography
TL;DR: "Time and Free Will" - the idea of duration "Matter and Memory" "Mind-Energy" "Creative Evolution" "Duration and Simultaneity" - nature of time "The Creative Mind" Bergson and Kant.
Abstract: "Time and Free Will" - the idea of duration "Matter and Memory" "Mind-Energy" "Creative Evolution" "Duration and Simultaneity" - the nature of time "The Creative Mind" Bergson and Kant - beyond the noumenal "The Two Sources of Morality and Religion" "Melanges".