TL;DR: For the Fifth edition of the Oxford Companion to English Literature, Drabble as discussed by the authors has put together the most substantial and significant revision in the book's distinguished history, bringing the book up to date.
Abstract: Sir Paul Harvey's original Oxford Companion to English Literaure, published in 1932, was the book that began Oxford's celebrated Companion series. In its various editions in the half-century since then, it has enjoyed an enormously faithful following and unflagging sales (over 400,000 to date). Now, for the Fifth Edition, the eminent novelist and biographer Margaret Drabble has put together the most substantial and significant revision in the book's distinguished history. The Classic Guide to English Literary Culture Here, thoroughly updated, is the standard reference work on English literature, both clasic and contemporary. The virtues established by Harvey are intact: the useful plot summaries, the separate entries on important fictional characters, the countless biographical articles on authors and other important figures in the world of letters, the lightness of touch that makes the book a pleasure to read. As ever, this is an essential book for libraries large and small, for students, for teachers, for everyone interested in English literature. Revisions Deepen and Widen Book's Appeal Drabble's revisions not only bring the volume up to date; they both deepen and widen its appeal. Topics once regarded as non-literary--detective stories, science fiction, children's literature, comic strips, for example--are now included, as are numerous foreign language authers who have become well-known in translation. There are also entries on composers who have adapted English texts to musical forms and articles on visual artists whose work has been touched by the English literary consciousness. The book covers all the important movements and critical theories (including the latest developments in Freudian and Marxist criticism and Saussurean linguistics and its successors). What is more, the entries on classic works--Beowulf, The Canterbury Tales, The Faerie Queen, and many others--now incorporate the findings of the latest scholarship. In still another innovation, the entries now offer the reader a guide to turther study and research by referring to the relevant biographies, memoirs, critical studies, and standard scholarly editions of many of the important works. Also, the book's appendices on censorship, copyright, and the calendar have been updated, and an exhaustive cross-referencing system in the manner of the more recent Companiions has been adopted. About the Editor: Margaret Drabble's many books include The Middle Ground, The Realms of Gold, The Ice Age, Thank You All Very Much, and A Writer's Britain. Standard Features: Among the many notable features distinguishing The Oxford Companion to English Literature are: . Alphabetically arranged entries . Entries on important individual works . Author entries that include concise biographical information and cite their major works . Many entries on historians, critics, philosophers, and booksellers . Coverage of many American authors and of foreign language authors famous in translation . Entries on non-literary figures famous in a literary context, from Penelope Rich to Ottoline Morrell . Articles on literary societies, clubs, and coffee houses . Definitions of literary and artistic movements, from Existentialism to the New Criticism, from Neo-classicism to Structuralism . Entries on prizes, periodicals, newspapers, and literary agents . Updated appendices on censorship, copyright, and the calendar . Extensive system of internal cross references, redesigned in the manner of the more recent Companions"
TL;DR: Waugh as discussed by the authors presents an analysis of the relations between feminism and postmodernism both through a theoretical investigation and through readings of modern fiction, including Woolf, Drabble, Plath and Walker.
Abstract: Waugh presents an analysis of the relations between feminism and postmodernism both through a theoretical investigation and through readings of modern fiction. Authors discussed include Woolf, Drabble, Plath and Walker. This book should be of interest to students and teachers of modern fiction, women's studies, psychoanalysis, contemporary literature, literary theory.
TL;DR: A Literature of their Own as mentioned in this paper is a collection of reviews of women writers from the 1800s to the 1970s. But it has not yet been published in the 21st century.
Abstract: When first published in 1982 A Literature of their Own quickly set the stage for the creative explosion of feminist literary studies that transformed the field in the 1980s. Launching a major new area for literary investigation, the book uncovered the long but neglected tradition of women writers and the development of their fiction from the 1800s onwards. It includes assessments of famous writers such as the Brontes, George Eliot, Virginia Woolf, Margaret Drabble and Doris Lessing, but also presents critical appraisals of Mary Braddon, Rhoda Broughton and Sarah Grand - to name but a few of those prolific and successful Victorian novelists - once household names, now largely forgotten. This revised and expanded edition contains a new introductory chapter surveying the book's reception as well as a postscript chapter celebrating the legacy of feminism and feminist criticism in the efflorescence of contemporary British fiction by women.
TL;DR: Studies novels by Margaret Drabble, Gail Godwin, Margaret Laurence, Doris Lessing, Toni Morrison, and Alice Munro are presented in this article.
Abstract: Studies novels by Margaret Drabble, Gail Godwin, Margaret Laurence, Doris Lessing, Toni Morrison, and Alice Munro.
TL;DR: Pocock as discussed by the authors reports the experience of tourists on organised group travel to Catherine Cookson Country, a newly created image region on South Tyneside, based around Britain's most popular fiction writer whose novels are all set in the area.