About: Dandy is a research topic. Over the lifetime, 249 publications have been published within this topic receiving 1748 citations. The topic is also known as: Quaintrelle & beau.
TL;DR: The new woman and women in the modern city: women, the "flaneuse" and public space the "modern woman" in the city - Ella Hepworth Dixon, "The Story of a Modern Woman" (1894) shopgirls and new woman in London, women in public - Henry James, 'The Bostonians' (1886) by Radclyffe Hall as discussed by the authors.
Abstract: Part 1 Who was the new woman?: the naming of the new woman the dominant discourse on the new woman the reverse discourse on the new woman feminism, revolution and evolution in "The Daughters of Danaus" by Mona Caird (1894). Part 2 The new woman and socialism: the class identity of the new woman feminism and socialism at the "fin de siecle" political tracts - Eleanor Marx and Edward Aveling, "The Woman Question" (1886), Olive Schreiner, "Woman and Labour" (1911) socialism, feminism and literary realism - Margaret Harkness, "A City Girl" (1887) the uses of Utopia - Jane Hume Clapperton, "Margaret Dummore, or, A Socialist Home" (1888), Isabella Ford, "On the Threshold" (1895), Gertrude Dix, "The Image Breakers" (1900). Part 3 Unlikely bedfellows? feminism and imperalism at the "fin de siecle": white women and imperalism the case of Olive Schreiner "The Woman Question" (1899) "The Story of an African Farm" (1883) and "The Child's Day" (1887) "Trooper Peter Halket of Mashonaland" (1897). Part 4 The daughters of decadence?: the new woman, the decadent and the dandy the new woman as sexual decadent - "Dracula" by Bram Stoker (1897) Oscar Wilde and the new woman feminism, social purity and "The Heavenly Twins" (1893). Part 5 The new woman and emergent lesbian identity: feminism and same-sex love from romantic friendship to lesbian pathology George Meredith's "Diana of the Crossways" (1885) - the limits of romantic friendship lesbian pathology in "A Drama in Muslin" by George Moore (1886) the 20th century inheritance - lesbian sexuality in "The Well of Loneliness" (1928) by Radclyffe Hall. Part 6 The new woman in the modern city: women, the "flaneuse" and public space the "modern woman" in the city - Ella Hepworth Dixon, "The Story of a Modern Woman" (1894) shopgirls and new woman in the city - George Gissing, "The Odd Woman" (1893) women in public - Henry James, "The Bostonians" (1886). Part 7 The new woman, modernism and mass culture: the feminization of culture at the "fin de siecle" the new woman, modernism and "feminine" writing finding an aesthetic for the new woman - Sue Bridehead and "Jude the Obscure" George Egerton, modernism and feminist aesthetics.
TL;DR: In this article, Goldsmith discusses the physiognomy of the lion: countering literary celebrity in the nineteenth century Richard Salmon Part II and Tom Mole Part IV, which is a case study of sporting celebrity.
Abstract: Introduction Tom Mole Part I. Apparatus: 1. Celebrity and the spectacle of nation Jason Goldsmith 2. Celebrity, politics, and the rhetoric of genius David Higgins 3. The physiognomy of the lion: countering literary celebrity in the nineteenth century Richard Salmon Part II. Sites: 4. Rara avis or fozy turnip: Rossini as celebrity in 1820s London Benjamin Walton 5. Daniel Mendoza and sporting celebrity: a case study Peter Briggs 6. Siddons rediviva: death, memory, and theatrical afterlife Heather McPherson Part III. Gender: 7. Trials of the dandy: George Brummell's scandalous celebrity Clara Tuite 8. Celebrity violence in the careers of Savage, Pope, and Johnson Linda Zionkowski 9. Mary Robinson's conflicted celebrity Tom Mole Part IV. Audience: 10. Patron or patronized?: 'fans' and the eighteenth-century English stage Cheryl Wanko 11. Byron, commonplacing and early fan culture Corin Throsby 12. Ann Hatton's celebrity pursuits Judith Pascoe Bibliography Index.
TL;DR: Slaves to Fashion as discussed by the authors is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York.
Abstract: Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.
Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.
TL;DR: In this paper, the British Pop Dandy examines two important questions in musical and cultural studi cation: "What is music about?" and "Is it about the music?"
Abstract: Stan Hawkins, Farnham: Ashgate Publishing, 2009, ISBN: 978-0-7546-5858-0, 244 pp, $99.95 (cloth) In The British Pop Dandy, Stan Hawkins examines two important questions in musical and cultural stud...
TL;DR: Barbey and his work are discussed in detail in this article, where the authors identify three areas that remain to be explored in greater depth: stylistic and lexical analysis of Barbey's work, his lengthy correspondence and the large body of criticism he wrote over a lifetime.
Abstract: Bernheimer’s Figures of Ill Repute: Representing Prostitution in nineteenth-century France, or A.L. Bucher’s Le Mal dans l’imaginaire littéraire français or J.R. Feldman’s Gender on the Divide: The Dandy in Modernist Literature – all of which dedicate one or more chapters to Barbey. Parts 9 and 10 detail references to contemporary and recent critical works of specifi c texts. This section is especially relevant to scholars of Barbey. Sections 11 and 12 provide citations for works that focus on Barbey and one or more other writers and book reviews of critical studies on Barbey and his work. The concluding passage, Desiderata, identifi es three areas that remain to be explored in greater depth: stylistic and lexical analysis of Barbey’s work, his lengthy correspondence, and the large body of criticism he wrote over a lifetime. An index of key words, recent theses, and authors and translators concludes the volume. Melmoux-Montaubin’s complete and thorough tome “tend à l’exhaustivité”(17); it will undoubtedly facilitate and enrich research in Aurevillian scholarship and numerous other areas of 19thcentury French studies.