TL;DR: Zhang et al. as mentioned in this paper investigated the research progress of the overall optimization of "production-living-ecological" space (PLES) systematically, and found that the existing work mainly focused on the optimization of PLES from the perspectives of land-use quality, land use suitability evaluation, resource and environmental carrying capacity, and comparative advantages.
Abstract: The 18th National Congress of the Communist Party of China put forward the optimization of territorial space development patterns as the primary measure of ecological civilization construction, and put forward the goal of “promoting intensive and efficient production space, livable and moderate living space, and beautiful (picturesque scenery) ecological space”. Through literature research and summing induction, this paper combs the research progress of the overall optimization of “Production–Living–Ecological” space (PLES) systematically. It is found that the existing work mainly focuses on the overall optimization of PLES from the perspectives of land-use quality, land-use suitability evaluation, resource and environmental carrying capacity, and comparative advantages. However, due to the lack of understanding of the scientific connotation of PLES, and the imperfect construction of quantitative identification methods and classification system, there are many problems in the technical approaches of the overall optimization of PLES, which remain to be clarified. In the future, the technological approach to the overall optimization of PLES should be guided by the vision of building a beautiful China, with the theory of a human–Earth coupling system as the core, and systematically build a theoretical system and technical framework to identify and optimize territorial space.
TL;DR: It is argued for a correct use of the term touristification, focused on the territorial phenomenon and process it is meant to describe in a geographical approach without ideological preconceived notion, to construct knowledge from a territorial understanding of tourism in an ever-globalized world.
TL;DR: In this paper , the meaning of the Palang Pintu procession in terms of semiotics was analyzed using extra-qualitative research methods with an interpretive approach as a complement.
Abstract: The Palang Pintu tradition is a tradition that is part of the Betawi wedding ceremony. In this study, the semiotic analysis of Roland Barthes was used. This study uses extra-qualitative research methods with an interpretive approach as a complement. This linguistic research is classified as interpretive research because it relies on interpreting texts that can be related to the context in it, such as ideological, moral, cultural, and spiritual values. In this study, the researcher aimed to analyze the meaning of the Palang Pintu procession in terms of semiotics. From the results of the study, it can be concluded that in Palang Pintu, there are 1) meanings of denotation in the procession of the Palang Pintu, processions are starting from the dustur prayer, greetings, rhyme contests, fighting, and reciting the holy verses of the Koran or chanting sike. In the denotative meaning of this Palang Pintu process, apart from explaining the literal meaning and describing the process. It also describes the stages of testing for the groom to marry his bride; 2) the connotation meaning in the Palang Pintu procession describes the practice of the teachings and laws of Islam and love for the Prophet Muhammad SAW and family ties; and 3) the myth in the Palang Pintu procession is that there are Betawi solid community principles, namely recitation, prayer, and silat. In addition, the dominance of solid Islamic teachings is evidenced by the existence of relevant verses of the Koran and hadith and the content of Betawi cultures, such as rhyming, where rhymes are used to advise on traditional art ceremonies.
TL;DR: The authors argued that despite its positive connotation, this discourse reduces ethnic minority creatives to manifestations of a 'culture' and pointed out that ethnicity is not a source of creativity in the arts.
Abstract: Much literature on the cultural industries celebrates ethnicity as a source of creativity. Despite its positive connotation, this discourse reduces ethnic minority creatives to manifestations of a ...