Composite image filter

Abstract: In this paper, we propose a novel type of explicit image filter - guided filter. Derived from a local linear model, the guided filter generates the filtering output by considering the content of a guidance image, which can be the input image itself or another different image. The guided filter can perform as an edge-preserving smoothing operator like the popular bilateral filter [1], but has better behavior near the edges. It also has a theoretical connection with the matting Laplacian matrix [2], so is a more generic concept than a smoothing operator and can better utilize the structures in the guidance image. Moreover, the guided filter has a fast and non-approximate linear-time algorithm, whose computational complexity is independent of the filtering kernel size. We demonstrate that the guided filter is both effective and efficient in a great variety of computer vision and computer graphics applications including noise reduction, detail smoothing/enhancement, HDR compression, image matting/feathering, haze removal, and joint upsampling.

Abstract: This paper describes a new framework for processing images by example, called “image analogies.” The framework involves two stages: a design phase, in which a pair of images, with one image purported to be a “filtered” version of the other, is presented as “training data”; and an application phase, in which the learned filter is applied to some new target image in order to create an “analogous” filtered result. Image analogies are based on a simple multi-scale autoregression, inspired primarily by recent results in texture synthesis. By choosing different types of source image pairs as input, the framework supports a wide variety of “image filter” effects, including traditional image filters, such as blurring or embossing; improved texture synthesis, in which some textures are synthesized with higher quality than by previous approaches; super-resolution, in which a higher-resolution image is inferred from a low-resolution source; texture transfer, in which images are “texturized” with some arbitrary source texture; artistic filters, in which various drawing and painting styles are synthesized based on scanned real-world examples; and texture-by-numbers, in which realistic scenes, composed of a variety of textures, are created using a simple painting interface.

Abstract: The authors introduce a directionally oriented 2-D filter bank with the property that the individual channels may be critically sampled without loss of information. The passband regions of the component filters are wedge-shaped and thus provide directional information. It is shown that these filter bank outputs may be maximally decimated to achieve a minimum sample representation in a way that permits the original signal to be exactly reconstructed. The authors discuss the theory for directional decomposition and reconstruction. In addition, implementation issues are addressed where realizations based on both recursive and nonrecursive filters are considered. >