About: Cello is a research topic. Over the lifetime, 627 publications have been published within this topic receiving 2523 citations. The topic is also known as: violoncello & bass violin.
TL;DR: Thematic Gesture in Beethoven: Sonata for piano and Cello in C Major, Op. 102, no. 784 as discussed by the authors Thematic gesture in Schubert: The Piano Sonatas in A Major, D. 959 and A Minor, No. 2, Op., 784
Abstract: Acknowledgments Introduction Part I. Markedness, Topics, and Tropes 1. Semiotic Grounding in Markedness and Style: Interpreting a Style Type in the Opening of Beethoven's Ghost Trio, Op. 70, no. 1 2. Expressive Doubling, Topics, Tropes, and Shifts in Level of Discourse: Interpreting the Third Movement of Beethoven's String Quartet in B Major, Op. 130 3. From Topic to Premise and Mode: The Pastoral in Schubert's Piano Sonata in G Major, D. 894 4. The Troping of Topics, Genres, and Forms: Bach, Mozart, Beethoven, Schubert, Schumann, Brahms, Bruckner, Mahler Part II. Musical Gesture Introduction to Part II 5. Foundational Principles of Human Gesture 6. Toward a Theory of Musical Gesture 7. Stylistic Types and Strategic Functions of Gestures 8. Thematic Gesture in Schubert: The Piano Sonatas in A Major, D. 959, and A Minor, D. 784 9. Thematic Gesture in Beethoven: Sonata for Piano and Cello in C Major, Op. 102, no. 1 10. Gestural Troping and Agency Conclusion to Part II Part III. Continuity and Discontinuity Introduction to Part III 11. From Gestural Continuity to Continuity as Premise 12. Discontinuity and Beyond Conclusion Notes Bibliography Index of Names and Works Index of Concepts
TL;DR: The first movement of Boccherini's Cello sonata in E Major, G. 566 is described in detail in this paper, where the authors present a re-creation of the first movement.
Abstract: List of Illustrations List of Music Examples CD Playlist Acknowledgments Introduction 1. "Cello-and-Bow Thinking": The First Movement of Boccherini's Cello Sonata in E Major, G. 566 2. "As My Works Show Me to Be": Biographical 3. Gestures and Tableaux 4. Virtuosity, Virtuality, Virtue 5. A Melancholy Anatomy 6. "It Is All Cloth of the Same Piece": The Early String Quartets 7. The Perfect Listener: A Re-creation Appendix: Chronological Table of String Quartets Notes Bibliography Index
TL;DR: The CELLO SONATA tradition was introduced by Mendelssohn as discussed by the authors, and the first major orchestration was performed by the HaysDN-Piano Trio in C Major.
Abstract: PREFACE - FORMATION OF THE TRADITION - DAHLHAUS AND THE "TEMPEST" SONATA - POST-DAHLHAUSIAN CRITIQUES - THE QUESTION OF A SECONDARY THEME - INTRODUCTION OR MAIN THEME - ST2 AND THE FINAL CADENCE OF THE EXPOSITION - HAYDN-STRING QUARTET IN C MAJOR, OP. 33, NO. 3 (HOB. III:39), FIRST MOVEMENT - HAYDN-PIANO TRIO IN C MAJOR (HOB. XV:27), FINALE - CLEMENTI-PIANO SONATA IN F MINOR, OP. 13, NO. 6, FIRST MOVEMENT - MOZART-LE NOZZE DI FIGARO, ACT I, NO. 7, TRIO IN B-FLAT - SCHUBERT-PIANO SONATA IN A MINOR, OP. 42, D. 845 - SCHUBERT-ALLEGRO IN A MINOR FOR FOUR HANDS, "LEBENSSTURME," D. 947 - SCHUBERT-PIANO TRIO IN E-FLAT MAJOR, OP. 100, D. 929 - STRING QUARTET IN A MINOR, OP. 13: OPENING OF THE FINALE - THE PIANO TRIO IN D MINOR, OP. 49, FIRST MOVEMENT: OPENING OF THE EXPOSITION - THE OCTET, OP. 20 - THE FINALE - THE OPENING OF THE FIRST MOVEMENT - MORE ON MENDELSSOHN'S CODAS: OVERTURE TO MIDSUMMER NIGHT'S DREAM AND THE SCHERZO OF THE D-MINOR PIANO TRIO - OVERVIEW WITH RESPECT TO CHOPIN'S GENRES - FIRST MOVEMENT OF THE CELLO SONATA: ALLEGRO MODERATO -THIRD MOVEMENT OF THE CELLO SONATA: LARGO - ROBERT SCHUMANN-"MONDNACHT," FROM LIEDERKREIS, OP. 39 - ROBERT SCHUMANN-"WIDMUNG," FROM MYRTHEN, OP. 25 - CLARA SCHUMANN-"DIE STILLE LOTOSBLUME," OP. 13, NO. 6 - ROBERT SCHUMANN-ARABESKE, OP. 18 - ROBERT SCHUMANN-FANTASIE, OP. 17 NOTES BIBLIOGRAPHY INDEX
Abstract: This study is an examination of teacher and student behavior in 48 violin and cello lessons taught by 12 expert Suzuki string teachers. One representative excerpt of work on a repertoire piece that...
TL;DR: In this paper, the authors discuss the acoustic properties of the piano and the Hammered Dulcimer and compare them to the electric guitar and the violin and the double bass.
Abstract: 1. Introduction 2. Plucked Strings 3. Guitars and Lutes 4. Portuguese Guitar 5. Banjo 6. Mandolin Family Instruments 7. Psalteries and Zithers 8. Harpsichord and Clavichord 9. The Harp 10. The Burmese Arched Harp 11. Plucked String Instruments in Asia 12. Bowed Strings 13. Violin 14. Cello 15. Double Bass 16. Bows, Strings, and Bowing 17. Viols and Other Historic Bowed String Instruments 18. The Hutchins-Schelleng Violin Octet after 50 Years 19. Hammered Strings 20. Some Remarks on the Acoustics of the Piano 21. The Hammered Dulcimer 22. The Electric Guitar and Violin 23. Virtual String Synthesis