Showing papers on "Baroque published in 1987"
Book•
1 Jan 1987
TL;DR: In this article, the authors present an account of the development of the first permanent settlement in Mesopotamia and its interior design in the Middle Ages, including columns, columns, arches, vaults, and columns.
Abstract: Preface.Acknowledgments.1. Prehistory to Early Civilizations.Prehistoric Interiors.Archeological Evidence.The First Shelters.Dolmens and Barrows.Evidence from Tribal Cultures.Pattern and Design.The First Permanent Settlements.Mesopotamia: Sumeria.Ancient Egypt.Geometry and Proportion.Egyptian Temples and Houses.Egyptian Furniture and Other Interior Furnishings.Pre-Columbian America.2. Classical Civilizations: Greece and Rome.Minoan and Mycenaean Cultures.Knossos.Mycenae and Tiryns.Greece.The Temple.Secular Interiors.INSIGHTS: THE GROWTH OF ATHENS.Rome.Arches, Vaults, and Domes.Amphitheaters and Baths.Temples.Secular Buildings.INSIGHTS: THE COST OF LIVING IN ANCIENT ROME.Furniture and Other Interior Furnishings.The Legacy of Rome: Technology.3. Early Christian, Byzantine, and Romanesque.Early Christian Design.Byzantine Design.INSIGHTS: THE RAVENNA MOSAICS.Ravenna.Constantinople.Hagia Sophia.Secular Buildings.Early Medieval: The "Dark Ages".The Romanesque Style.Churches.Germany.Italy.France.England.Scandinavia.Fortresses and Castles.Monasteries and Abbeys.INSIGHTS: THE ABBEY AT CLUNY.Houses.Furniture and Other Interior Furnishings.Islamic Influence in Spain.The Mosque in Spain.Moorish Elements in Spanish Romanesque.4. Islamic and Asian Traditions.Islamic Influence.Mosques and Palaces.Islamic Influence in Spain.The Mosque in Spain.Islamic Furnishings.India and Pakistan.Buddhist, Hindu, and Jain Architecture.Hindu Religious and Secular Buildings.Jain Architecture.Northern and Southern Styles of Temple.Islamic Influence in India.INSIGHTS: BERNIER'S ACCOUNT OF THE TAJ MAHAL.Indian Furnishings.Western Influence.Cambodia.Java.Thailand.China.Chinese Architecture.Chinese Furnishings.Korea.Japan. Japanese Furnishings.5. The Later Middle Ages.Elements of Gothic Style.New Construction Techniques.Gothic Cathedrals and Churches.France.England.Elsewhere in Europe.Secular Gothic Buildings.INSIGHTS: CONSTRUCTION WORK IN A MEDIEVAL BUILDING.Castles and Palaces.Medieval Houses.Innovations in Domestic Comfort.6. The Renaissance in Italy.The Rise of Humanism.Renaissance Interest in History.Elements of Renaissance Style.The Early Renaissance.Brunelleschi.Michelozzo.Alberti.The High Renaissance.Bramante.Palaces.INSIGHTS: VASARI'S ACCOUNT OF THE FARNESE PALACE.The Late Renaissance and Mannerism.Michelangelo.Romano.Palladio.Vignola.Interior Furnishings.Furniture.Coverings.7. Baroque and Rococo in Italy and Northern Europe.Elements of Baroque Style.The Baroque in Italy.Rome.Bernini.Borromini.Venice.Longhena.Turin.Guarini.Juvarra.Baroque in Northern Europe.Austria.Switzerland.Germany.Furniture and Other Interior Features.8. Renaissance, Baroque, and Rococo in France and Spain.France.Early Renaissance.High Renaissance.Baroque.Versailles.INSIGHTS: LOUIS XIV AND VERSAILLES.Louvre.Baroque Churches.Furniture and Furnishings.Regency to Rococo.Paris H"tells.The Petit Trianon.Regency and Rococo Furniture.Rococo to Neoclassicism.The Empire Style.INSIGHTS: THE EMPIRE STYLE.Provincial Style.Spain.Plateresco.Desornamentado.Churrigueresco.Furniture and Other Interior Features.9. Renaissance to Georgian in The Low Countries and England.Low Countries.Civic Buildings.Private Dwellings.England.Tudor.Elizabethan.Elizabethan Furniture.Jacobean.Jones.Jacobean Interior Furnishings.From Carolean to William and Mary.Wren.Carolean and William and Mary Interior Furnishings.Queen Anne.Queen Anne Furniture.Georgian.Robert and James Adam.INSIGHTS: ROBERT ADAM AND SYON HOUSE.Georgian Town Houses.Other Building Types.Georgian Furniture and Interior Furnishings.10. Colonial and Federal America.Colonial Styles in Latin America.Colonial Styles in North America.Early Colonial Houses.Early Colonial Furniture and Interior Furnishings.Churches and Meeting Houses.American Georgian.American Georgian Houses.American Georgian and Queen Anne Furniture.Late Colonial Public Buildings.Federal Styles.Jefferson.Bulfinch.Thornton and LatrobeFurniture of the Federal Period.Other Furnishings of the Federal Period.11. The Regency, Revivals, and Industrial RevolutionRegency.Nash.Soane.Regency FurnitureRevivals.Greek RevivalGermany.England.United States.Gothic Revival.United States.England.The Industrial Revolution.Early Industrialization and Inventions.Industry and Interiors.Iron and Glass.England: Paxton.INSIGHTS: THE PUBLIC'S PERCEPTION OF CRYSTAL PALACE.France: Labrouste, Baltard, and Eiffel.12. The Victorian Era.The Roots of Victorian Style.Britain.Mansions.Middle-class Houses and Public Buildings.Shaw and the Queen Anne Revival.United States: Victorian Variations.Mansions.Vernacular House Styles.Shingle Style.Adirondack Style.Shaker Design.INSIGHTS: THE SHAKER PHILOSOPHY.Early Skyscrapers.Public Buildings.Furness.Furniture and Other Interior Furnishings.13. The Aesthetic Movements.Britain: Arts and Crafts.Ruskin and the Roots of Arts and Crafts.Morris.Webb.Other British Designers.INSIGHTS: ROSSETTI AND THE AESTHETIC HOUSE.Links to Modernism.Voysey.Mackmurdo.Mackintosh.United States: The Craftsman Movement.Stickley and the Roycrofters.Bradley.Richardson.Greene & Green and Maybeck.Developments in Continental Europe.Germany: Muthesius.The Netherlands: Berlage.14. Art Nouveau and the Vienna Secession.Roots and Characteristics of Art.Nouveau.Belgium.Horta.INSIGHTS: VICTOR HORTA AND ART NOUVEAU.Van de Velde.France.The School of Nancy.Guimard.Other French Designers.Spain.Gaudi.Germany: Jugendstil.Endell.Riemerschmid and Behrens.Scandinavia.Austria: The Vienna Secession.Olbrich.Wagner.INSIGHTS: OTTO WAGNER AND "MODERN ARCHITECTURE".Hoffmann.Loos.United States.Tiffany.Sullivan.15. Eclecticism.The Ecole des Beaux-Arts, Paris.United States.Key Architects and Designers.Hunt.McKim, Mead, & White.Public Buildings.Early Skyscrapers.The Rise of the Interior Decorator.De Wolfe.Wood.McMillen.Other American Decorators.Eclecticism in Professional Practice.Saarinen and Cranbrook Academy.Stripped Classicism.Eclecticism for the Masses.Houses and Apartments.Furniture and Accessories.Movie Theaters.Europe.Scandinavia.Britain.Lutyens.INSIGHTS: SIR EDWIN LUTYENS AND THE VICEROY'S HOUSE IN NEW DELHI.Ocean Liners.The Spread of Eclecticism.16. The Emergence of Modernism.Frank Lloyd Wright.The Early Commissions.INSIGHTS: THE PHILOSOPHY OF FRANK LLOYD WRIGHTDe Stijl.Mondrian and van Doesburg.Rietveld.Pioneers of the International Style.Gropius and the Bauhaus.Mies van der Rohe.Work of the 1920s and 1930s.INSIGHTS: MIES VAN DER ROHE: THE TUGENDHAT HOUSE.Emigration to the United States.Later Commissions.Le Corbusier.Paris: Developing the Machine Aesthetic.Early Houses, Villas, and Apartments.INSIGHTS: THE PHILOSOPHY OF LE CORBUSIER.Town Planning.Post-War Years.Late Commissions.Aalto.INSIGHTS: THE VISION OF ALVAR AALTO.17. Art Deco and Industrial Design.Art Deco.France.Furniture Designers.Textile Design.Ocean Liners.United States.Designers from Europe.Deco Architecture.Britain.Scandinavia.Industrial Design.Loewy and Other Designers.Design Training.Residential Design.Kitchens and Bathrooms.Lighting.Textiles, Carpets, and Furniture.18. The Spread of Early Modernism in Europe.The Netherlands.Germany and Austria.Italy.Switzerland.France.Scandinavia.England.19. Modernism in America.Architects and Designers.Gill.Wright: 1920s and 1930s.Schindler and Neutra.Lescaze.Goodwin and Stone.Gropius and Breuer.Mies van der Rohe.Johnson.Skidmore, Owings, and Merrill.Eero Saarinen.Interior Decoration: The Reaction to Modernism.Furniture and other Interior Furnishings.Knoll.Herman Miller Furniture Company.20. The Ascendency of Modernism.Italy 328.INSIGHTS: GIO PONTI: PIRELLI TOWER.Scandinavia.France.Germany.The Netherlands.Britain.United States.Urban Office Buildings.Office Planning.Office Furniture.Interior Designers.Furniture and Other Interior Furnishings.Textiles.21. Contemporary Design.Prophets of Future Design.Kahn.Pelli.High-tech.Fuller.INSIGHTS: ROGERS AND PIANO AND THE CENTRE POMPIDOU.Rogers and Piano.Foster.Stirling.INSIGHTS: JAMES STIRLING.Post-modernism.Venturi and Scott Brown.Graves.Johnson.Post-modernism in Europe.The Revival of Tradition.Greenberg.Stern.Late Modernism.Pei.Gwathmey and Meier.Individual Stylists.Starck.Putman.Deconstructivism.Eisenman.Gehry.Other Trends.East-West Crossovers.Preservation.Green Buildings.A New Century.Glossary.Bibliography.Picture Credits.Index.
89 citations
10 citations
Book•
1 Jan 1987
TL;DR: Giovanni Maria Bononcini: Vita The Professional Sphere Teachers and Colleagues Bologna, the Accademie Cazzati and Colonna Editions Dedications Letters to the Reader The Sonata da Camera: Form, Italian and French Sources as mentioned in this paper.
Abstract: Giovanni Maria Bononcini: Vita The Professional Sphere Teachers and Colleagues Bologna, the Accademie Cazzati and Colonna Editions Dedications Letters to the Reader The Sonata da Camera: Form, Italian and French Sources The Dances (1): Processional and Company Types Allemande, Balletto, and Aria The Dances (2): Couple Types Corrente, Sarabanda, and Giga The Sonata da Chiesa: Forms, Antecedents, and Precedents The Sonata da Chiesa of G.M. Bononcini The Canons Conclusions Appendixes Bibliography Index Supplement
4 citations
Book•
1 Jan 1987
TL;DR: In this paper, the michel serre et la peinture baroque en provence 1658 1733 is available in our book collection and an online access to it is set as public so you can download it instantly.
Abstract: michel serre et la peinture baroque en provence 1658 1733 is available in our book collection an online access to it is set as public so you can download it instantly. Our book servers saves in multiple countries, allowing you to get the most less latency time to download any of our books like this one. Merely said, the michel serre et la peinture baroque en provence 1658 1733 is universally compatible with any devices to read.
2 citations
Book•
1 Jan 1987
2 citations
1 Jan 1987
TL;DR: A very special example is the reredos in the Rosary's Chapel as discussed by the authors built in 1748 by Jose de Ganga Ripoll, a native of Orihuela.
Abstract: The city of Lorca, a nearly exceptional exponent of Baroque in the acient Kingdom of Murcia during the XVII th and XVIII th centuries, owes to its privileged geographical location. and also to particular conditions suggested by raising social sectors, the creation of certain monumental works, whitout precedents or coexistence of other similar cases inside the mentioned area and time. A very special example is the reredos in the Rosary's Chapel. built in 1748 by Jose de Ganga Ripoll. This native of Orihuela culminated the architectural development of this Chapel. impeled by the acme of the homonymous Brotherhood to take the functions and status off proper church. The mentioned master, with in previous rich artistic trajectory, brings Italian schemes in the architectural and composiuoniil execution of the Rosary's reredos; in sutn, that one projected by the Jesuit Atidrra Pozzo. around 1699, to transfot-m the apsis in the Roman church of St. Ignatius. The luxuriant combination and typology of decorative elements resemble better the tendencies in the French rococo oscribed to Le Pautre and Meissonier. Once it is demonstrated that Father Pozzo's work were known in the south-eastern zone of Spain before the middle of the XVIII th century, it seems credible thut iis particular diffuusion is owed to the architect Jaime Bort, builder of the main facade of Murcia cathedral, voyager and connoisser of tendencies and styles. The influence that Jose de Ganga received from this architect before carrying out his work at the Rosary's retable is documentally verified and hints at the hypothesis that Bort could he the way through which the retable-muker of Orihuela became familiar to Pozzo's style. The accommodation of this style to the mentioned reredos constitutes an unicum in the ancient Kingdom of Murcia in that period. At present, only the shell of the vault remains from the Rosary's retable of Lorca, since the rest was destroyed in 1936. The whole can be seen only in old photos.
1 citations
Journal Article•
TL;DR: The evolution of the notion of reason of state during the period of Spanish Baroque (1595 to 1640) is an example of the evolution from antimachiavelian attitudes to those of 'tacitist' influence as mentioned in this paper.
Abstract: The education of princes during the period of Spanish Baroque (1595 to 1640) is an example of the evolution of the notion of «reason of state» (raison d'etat), which goes from «antimachiavelian» attitudes to those of «tacitist» (tacitista) influence; the latter incorporate history —historical experience— with its principles and universal rules to political theory and «praxis». Having determined the doctrinal contents of «tacitism», the presence of it in the Idea de un principe politicocristiano (1640) by Diego Saavedra Fajardo is investigated, as well as in the writings having a «politeic» (politeyica) educational intention of Baltasar Gracian (1601-1658), contrasting it with other treatises dealing with the education of princes, written towards the end of the 16th century, by the Jesuits Pedro Rivadeneyra (1595) and Juan de Mariana (1599), both with antimachiavelian roots.
1 citations
Book•
1 Jan 1987
1 citations
30 Mar 1987