Book Chapter10.1093/ACPROF:OSO/9780198521280.003.0003
The performance of music
John A. Sloboda
- 17 Apr 1986
- pp 67-101
163
About: The article was published on 17 Apr 1986. The article focuses on the topics: Pop music automation & Programming.
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Citations
Communication of emotions in vocal expression and music performance: different channels, same code?
Patrik N. Juslin,Petri Laukka +1 more
TL;DR: A review of 104 studies of vocal expression and 41 studies of music performance reveals similarities between the two channels concerning (a) the accuracy with which discrete emotions were communicated to listeners and (b) the emotion-specific patterns of acoustic cues used to communicate each emotion as mentioned in this paper.
Brain Organization for Music Processing
TL;DR: Results emanating from both lesion studies and neuroimaging techniques are reviewed and integrated for each of these musical functions, and a currently debated issue regarding the putative existence of music-specific neural networks is addressed.
887
Automatic Extraction of Tempo and Beat From Expressive Performances
TL;DR: It is shown that estimating the perceptual salience of rhythmic events significantly improves the results of a computer program which is able to estimate the tempo and the times of musical beats in expressively performed music.
Voxel-based morphometry reveals increased gray matter density in Broca's area in male symphony orchestra musicians
Vanessa Sluming,Thomas R. Barrick,Matthew A. Howard,Matthew A. Howard,Enis Cezayirli,Andrew R. Mayes,Neil Roberts +6 more
TL;DR: It is suggested that orchestral musical performance promotes use-dependent retention, and possibly expansion, of gray matter involving Broca's area and that this provides further support for shared neural substrates underpinning expressive output in music and language.
361
Music Performance Research at the Millennium
TL;DR: In this paper, the review of the research up to 1995 published by the current author in 1999 is presented, along with a review of recent work on music performance up to the present day.
References
Brain Organization for Music Processing
TL;DR: Results emanating from both lesion studies and neuroimaging techniques are reviewed and integrated for each of these musical functions, and a currently debated issue regarding the putative existence of music-specific neural networks is addressed.
887
Automatic Extraction of Tempo and Beat From Expressive Performances
TL;DR: It is shown that estimating the perceptual salience of rhythmic events significantly improves the results of a computer program which is able to estimate the tempo and the times of musical beats in expressively performed music.
Music Performance Research at the Millennium
TL;DR: In this paper, the review of the research up to 1995 published by the current author in 1999 is presented, along with a review of recent work on music performance up to the present day.
Singing proficiency in the general population
TL;DR: Singing appears to be a universal human trait, and two of the occasional singers maintained a high rate of pitch errors at the slower tempo, thus suggesting the existence of a purely vocal form of tone deafness.
Does music induce emotion? A theoretical and methodological analysis.
TL;DR: In this paper, a comprehensive theoretical and methodological reevaluation is presented of a classical problem: the direct induction of emotion by music (M3 E), and the author's Prototypical Emotion-Episode Model is used in the conceptual critique.
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