Journal Article10.1016/0010-0277(85)90005-8
Metre and rhythm in piano playing.
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TL;DR: A further possibility is examined, that the metre of a piece of music can be used to control the time course of a performance through its mapping onto a time scale generated by a timekeeper.
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About: This article is published in Cognition. The article was published on 01 Jan 1985. The article focuses on the topics: Rhythm.
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Citations
Dynamic attending and responses to time.
TL;DR: A temporally based theory of attending is proposed that assumes that the structure of world events affords different attending modes; the model applies to comparative duration judgments of equal and unequal time intervals; its rationale extends to temporal productions/extrapolations.
In time with the music: the concept of entrainment and its significance for ethnomusicology
Martin Clayton,Rebecca Sager,Udo Will +2 more
- 01 Jan 2005
TL;DR: The concept of entrainment, broadly defined as a phenomenon in which two or more independent rhythmic processes synchronize with each other, has been studied in various disciplines, from physics to linguistics and psychology.
A Model of Expressive Timing in Tonal Music
TL;DR: In this paper, it is shown how a duration structure can be generated, corresponding to the rubato in a performance, from the musical structure, using the time-span reduction of Lerdahl and Jackendoff9s theory.
457
The Performance of Music
Alf Gabrielsson
- 01 Jan 1999
TL;DR: In this paper, the authors focus on empirical research of music performance and related matters, focusing on Western tonal music and mainly art music, and make some attempts to predict evaluation of music performances from physical characteristics of the performances.
429
References
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TL;DR: A two-dimensional "harmonic map," obtained by an affine transformation of the melodic map, provides for optimally compact representations of chords and harmonic relations; it is isomorphic to the toroidal structure that Krumhansl and Kessler (1982) show to represent the psychological relations among musical keys.
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The representation of harmonic structure in music: Hierarchies of stability as a function of context
TL;DR: A description of the listener's knowledge of hierarchies of harmonic stability is provided and it is suggested that harmonically stable chords function as cognitive reference points for the system as a whole.
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Performances of Chopin, Bach, and Bartok: Studies in motor programming☆
TL;DR: This article provides a description of some of the phenomena of skilled performance and it examines two problems, one on the nature of motor independence and the other on the mechanisms of movement timing.
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The Perception of Musical Rhythms
TL;DR: A simple theory is proposed of how a listener may infer the rhythm of such a sequence by comparing the note lengths, and it is assumed that the listener forms an idea of the rhythm as the sequence unfolds, constructing and eliminating metrical hypotheses in the light of what he hears.
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