Book Chapter10.1007/978-3-030-47396-9_2
Memory and Intermediality
Sarah Durcan
- 01 Jan 2021
- pp 17-49
1
TL;DR: In this paper, the role of the moving image as a media of memory and the virtual force of memory in artists' moving image in five overlapping mnemonic modes: critical nostalgia, database narrative, echo-chamber, documentary fiction, and mediated memory.
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Abstract: This chapter locates the preoccupation with memory in artists’ moving image in relation to digitalization and the ‘memory boom’ of the 1990s. It surveys the role of the moving image as a media of memory and establishes the key concepts of Deleuze’s Bergsonian cinema and the virtual force of memory which inform the theorization of artists’ moving image in five overlapping mnemonic modes: ‘critical nostalgia’, ‘database narrative’, ‘echo-chamber’, ‘documentary fiction’ and ‘mediatized memories’. The chapter defines the intermedial aesthetics in contemporary artists’ moving image installations in terms of the remediation of analogue film and video with digital technology and the absorption of cinema within the gallery. It shows how contemporary moving image practices have reconfigured the diverse genealogies of artist’ film and video.
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