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Mapping the terrain : new genre public art
Suzanne Lacy,Mary Jane Jacob,Patricia C. Phillips,Suzi Gablik,Estella Conwill Májozo,Guillermo Gómez-Peña,Lucy R. Lippard,Judith F. Baca,Jeff Kelley,Allan Kaprow,Arlene Raven,Susan Leibovitz Steinman +11 more
- 01 Jan 1995
636
TL;DR: In this paper, the authors focus on how relational, participatory and interactive art strategies respond to the institutional framework of art, including the social relevance of art; artist's reponsibility; non-museum-oriented forms of beauty; the value of collaboration; differences between community-oriented art and public art.
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Abstract: Anthology edited by Lacy, focusing on "new genre public art." Essays by 11 authors situate community-responsive and audience-directed art practices within diverse socio-political and art historical contexts. Emphasis is place on how relational, participatory and interactive art strategies respond to the institutional framework of art. Other topics discussed include: the social relevance of art; artist's reponsibility; non-museum-oriented forms of beauty; the value of collaboration; differences between community-oriented art and public art. Includes compendium of more than 80 artists working in the field. Biographical notes. Circa 110 bibl. ref.
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Citations
Gregory SHOLETTE: Delirium and Resistance: Activist Art and the Crisis of Capitalism
Jakob Wirth
- 01 May 2018
TL;DR: In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website as discussed by the authors, in case of legitimate complaints the material will be removed.
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Learning about ourselves from others: transformation of artists’ identities through community-based arts practice
TL;DR: Community-based arts projects can act as powerful learning opportunities in a variety of lifelong and life wide contexts as discussed by the authors, and many of these projects involve artists, who usually undertake a leading role in leading roles.
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The Evolution of Social Sculpture in the United States: Joseph Beuys and the Work of Suzanne Lacy and Rick Lowe
TL;DR: In the summer of 1972, the German artist Joseph Beuys set up an office at the Museum Fridericianum in Kassel, Germany, during the fifth quinquennial Documenta as mentioned in this paper.
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Arte Clandestino: Rebellion, Graphic Art and Youth Culture in Oaxaca, Mexico
Elizabeth Barnett
- 01 Jan 2015
TL;DR: In this paper, the Asamblea Revolucionaria de Artistas de Oaxaca (ASARO) was examined and the transformative potential of the artists' spatial practices through their investment in utilizing urban spaces throughout the city.
•Dissertation
Monumental discourses: Sculpting Juan de Onate from the collected memories of the American Southwest
Juliane Schwarz-Bierschenk
- 30 Mar 2015
TL;DR: In this article, the authors argue that the controversial commemoration of Onate has remade the landscapes of memory, i.e. the spatial imaginations which constitute ethnic identities in New Mexico today, irrespective of state lines and national boundaries.
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