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Hand and Mind: What Gestures Reveal about Thought
David McNeill
- 15 Aug 1992
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TL;DR: McNeill et al. as mentioned in this paper argue that gestures do not simply form a part of what is said and meant but have an impact on thought itself, and that gestures are global, synthetic, idiosyncratic, and imagistic.
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Abstract: What is the relation between gestures and speech? In terms of symbolic forms, of course, the spontaneous and unwitting gestures we make while talking differ sharply from spoken language itself. Whereas spoken language is linear, segmented, standardized, and arbitrary, gestures are global, synthetic, idiosyncratic, and imagistic. In Hand and Mind, David McNeill presents a bold theory of the essential unity of speech and the gestures that accompany it. This long-awaited, provocative study argues that the unity of gestures and language far exceeds the surface level of speech noted by previous researchers and in fact also includes the semantic and pragmatic levels of language. In effect, the whole concept of language must be altered to take into account the nonsegmented, instantaneous, and holistic images conveyed by gestures. McNeill and his colleagues carefully devised a standard methodology for examining the speech and gesture behavior of individuals engaged in narrative discourse. A research subject is shown a cartoon like the 1950 Canary Row--a classic Sylvester and Tweedy Bird caper that features Sylvester climbing up a downspout, swallowing a bowling ball and slamming into a brick wall. After watching the cartoon, the subject is videotaped recounting the story from memory to a listener who has not seen the cartoon. Painstaking analysis of the videotapes revealed that although the research subjects--children as well as adults, some neurologically impaired--represented a wide variety of linguistic groupings, the gestures of people speaking English and a half dozen other languages manifest the same principles. Relying on data from more than ten years of research, McNeill shows thatgestures do not simply form a part of what is said and meant but have an impact on thought itself. He persuasively argues that because gestures directly transfer mental images to visible forms, conveying ideas that language cannot always express, we must examine language and gesture
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Citations
Gesticulator: A framework for semantically-aware speech-driven gesture generation.
Taras Kucherenko,Patrik Jonell,Sanne van Waveren,Gustav Eje Henter,Simon Alexanderson,Iolanda Leite,Hedvig Kjellström +6 more
TL;DR: This work presents a model designed to produce arbitrary beat and semantic gestures together, which takes both acoustic and semantic representations of speech as input, and generates gestures as a sequence of joint angle rotations as output.
160
Embodied communication: Speakers’ gestures affect listeners’ actions
TL;DR: It is found that hand gestures are a reliable source of perceptual-motor information during human communication and subsequently treated computer objects more like real objects.
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Analog acoustic expression in speech communication
TL;DR: Analog acoustic expression as mentioned in this paper uses acoustic dimensions of speech to convey information about events in the world that is meaningful to listeners even when it is different from the linguistic message, and has been shown to provide an independent and direct means of communicating referential information.
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Turn it this way: grounding collaborative action with remote gestures
David Kirk,Tom Rodden,Danae Stanton Fraser +2 more
- 29 Apr 2007
TL;DR: It is demonstrated how remote gestures influence the structure of collaborative discourse, and how their use can also influence the temporal nature of the grounding process.
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Discovering the structures of lived experience: Towards a micro-phenomenological analysis method
TL;DR: In this paper, a method for analyzing a corpus of descriptions collected through micro-phenomenological interviews is described, aiming at identifying the structure of the singular experiences which have been described, and in particular their diachronic structure, while unfolding generic experiential structures through an iterative approach.
159