Open AccessBook
Early Jazz: Its Roots and Musical Development
Gunther Schuller
- 31 Dec 1968
201
TL;DR: Early Jazz as discussed by the authors is one of the seminal books on American jazz, ranging from the beginnings of jazz as a distinct musical style at the turn of the century to its first great flowering in the 1930s.
read more
Abstract: Early Jazz is one of the seminal books on American jazz, ranging from the beginnings of jazz as a distinct musical style at the turn of the century to its first great flowering in the 1930s. Schuller explores the music of the great jazz soloists of the twenties--Jelly Roll Morton, Bix Beiderbecke, Bessie Smith, Louis Armstrong, and others--and the big bands and arrangers--Fletcher Henderson, Bennie Moten, and especially Duke Ellington--placing their music in the context of the other musical cultures of the twentieth century and offering analyses of many great jazz recordings. Early Jazz provides a musical tour of the early American jazz world. A classic study, it is both a splendid introduction for students and an insightful guide for scholars, musicians, and jazz aficionados.
read more
Chat with Paper
AI Agents for this Paper
Find similar papers on Google Scholar, PubMed and Arxiv
Write a critical review of this paper
Analyze citations of this paper to find unaddressed research gaps
Citations
Adorno, Ellison, and the Critique of Jazz
TL;DR: Theodor Adorno as mentioned in this paper wrote seven essays on jazz: three in the thirties, two in the forties, and two in early fifties, all of which were negative critical.
16
Women Jazz Singers of the Big Band Era (1930-1945): An Annotated Bibliography and Research Guide
Sarah E. McNair
- 01 Nov 2012
TL;DR: De Jong et al. as mentioned in this paper explored Betty Carter's music through a detailed investigation of selections from her album The Audience with Betty Carter and made an attempt to contextualize the music according to her own aesthetic and within the broader context of African American performance tradition.
15
Jazzing the Classics: Race, Modernism, and the Career of Arranger Chappie Willet
TL;DR: The authors examines swing era arranging strategies in the context of prevailing racial essentialisms, conceptions of modernism, and notions of technical virtuosity, and suggests that an account of the biography and artistic voice of the arranger is critical to understanding the motivations behind these hybrid musical works.
14
Evidence: Monk as Documentary Subject
TL;DR: Thelonious Monk: Straight No Chaser (1988) as discussed by the authors is a classic example of a documentary about a black jazz musician with a story that goes well beyond the music itself.
14
Related Papers (5)
Paul F. Berliner
- 01 Jan 1994
Ingrid T. Monson
- 15 Mar 1997
[...]
Ted Gioia
- 01 Jan 1997
[...]
Marshall W. Stearns
- 31 Dec 1956