Journal Article10.2307/2106360
Art and the Aesthetic.
Ronald E. Roblin,George Dickie +1 more
74
About: This article is published in Philosophy and Phenomenological Research. The article was published on 01 Mar 1975.
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Citations
The aesthetics of consumption and the consumer as an aesthetic subject
TL;DR: In this paper, the integration of aesthetics into everyday consumption, the distinction between everyday aesthetics and of the arts, and the relationship between aestheti cs and the construction of meaning and identity are investigated empirically.
170
The Notion of Creativity Revisited: A Philosophical Perspective on Creativity Research
TL;DR: A review of some recent attempts to define and understand creativity, informed by the methods and debates of contemporary philosophy can be found in this article, where the product, and not the person or process, should be viewed as the primary bearer of creativity and criticize some influential theorists for making creativity too strongly dependent on social acceptance.
116
How a literacy work becomes a masterpiece: On the threefold selection practised by literary criticism
TL;DR: In this paper, a critic's stance within one of the three types of criticism is considered, and his proficiency in couching his discourse in compliance with the normative premises and the essentialist definitions derived from the conception of literature currently prevalent among his peers.
114
Effects of experiential elements on experiential satisfaction and loyalty intentions: a case study of the super basketball league in Taiwan
TL;DR: In this paper, the authors explored the influence of experiential elements, such as surprise, participation and immersion on experientual satisfaction and loyalty intentions, and proposed a model to depict the structural relationship among the experiencial processes.
100
Key Writers on Art: From Antiquity to the Nineteenth Century
Chris Murray
- 18 Aug 2005
TL;DR: Key Writers on Art: From Antiquity to the Nineteenth Century as mentioned in this paper provides a unique and authoritative guide to theories of art from Ancient Greece to the end of the Victorian era, written by an international panel of expert contributors.
71
References
The Concept of Disinterestedness in Eighteenth-Century British Aesthetics
TL;DR: The authors argued that the concept of disinterestedness was not a distinctive aesthetic mode of perception, but merely a "taste" concept, which was defined by Shaftesbury, Addison, Hutcheson, Burke and Archibald Alison.
Dual Character Art Concepts
TL;DR: Liao et al. as mentioned in this paper argue that the very same sort of phenomenon that is associated with ART can also be found in a broad class of other dual character concepts, including scientist, Christian, and gangster.
Should there be a universal philosophy of music education
TL;DR: The four themes of the Conference as mentioned in this paper focus on the universal dimension of music, claiming that music speaks universally to all generations, times, cultures, and nations, and if that is the case, it should...
27
•Journal Article
Software engineers or artists? Programmers' identity choices
TL;DR: An alternative metaphor of programming as art is described, which is commonly used by the programmers interviewed, and draws conclusions from the discrepancies between the two views as well as from the proposed metaphor, explaining organizational reluctance to aesthetical vocabulary.
The Ambiguity of Artworks -A Guideline for Empirical Aesthetics Research with Artworks as Stimuli.
TL;DR: A decision tree is compiled in order to provide researchers with an instrument that allows a better control over their stimuli and based on these intensions and the Pleasure-Interest Model of Aesthetic Liking, this work compiled a decision tree.
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