About: Transatlantica : Revue d'Études Américaines is an academic journal published by Association Française d'Etudes Américaines. The journal publishes majorly in the area(s): Computer science & Politics. It has an ISSN identifier of 1765-2766. It is also open access. Over the lifetime, 182 publications have been published receiving 126 citations.
TL;DR: The Ouvrage de Makis Solomos, professeur de musicologie a Paris 8 and le specialiste de Xenakis en France, pourrait impressionner, voire alarmer le lecteur.
Abstract: L’ouvrage de Makis Solomos, professeur de musicologie a Paris 8 et le specialiste de Xenakis en France, pourrait impressionner, voire alarmer le lecteur. Par son volume (plus de 540 pages denses), l’ambition de son propos (une analyse inedite de l’evolution des musiques europeennes et etatsuniennes, pour l’essentiel, depuis l’aube du xxe siecle jusqu’a nos jours), son approche a la fois musicologique, philosophique et sociologique, son eclectisme et son erudition. D’autres pourraient en outre...
TL;DR: Exploitation cinema is not a genre; it is an industry with a specific mode of production as mentioned in this paper, and exploitation films are made cheap for easy profit, and are almost always genre films relying on time-tried formulas (horror, thillers, biker movies, surfer movies, women in prison films, martial arts, subgenres like gore, rape-revenge, slashers, nazisploitation, etc.).
Abstract: What is exploitation cinema? Exploitation cinema is not a genre; it is an industry with a specific mode of production. Exploitation films are made cheap for easy profit. “Easy” because they are almost always genre films relying on time-tried formulas (horror, thillers, biker movies, surfer movies, women-in-prison films, martial arts, subgenres like gore, rape-revenge, slashers, nazisploitation, etc.). “Easy” because they offer audiences what they can’t get elsewhere: sex, violence and taboo t...
TL;DR: This article used the life history of Albert O. Hirschman, especially the years of his active political engagements that preceded his intellectual career, to explore the "micro-history" of choices about whether to stay and fight or back and flee.
Abstract: This essay uses the life history of Albert O. Hirschman, especially the years of his active political engagements that preceded his intellectual career, to explore the “micro-history” of choices about whether to stay and fight or back and flee. It also considers some of Hirschman’s own thinking about action—and the choices between exercising voice, loyalty, or defection, the bases of his influential book, Exit, Voice, and Loyalty. Finally, it explores the ever-complicated connections between personal experience and theoretical reflection.
TL;DR: With an estimated eligible electorate of nearly four million potential voters nationwide in the prewar decade, Italian Americans were a key component of the coalition of ethnic groups that elected Franklin D. Roosevelt to the White House in 1932 and contributed to the creation of the Democratic majority that dominated U. S. politics, at least in presidential contests, for roughly two decades as mentioned in this paper.
Abstract: With an estimated eligible electorate of nearly four million potential voters nationwide in the prewar decade, Italian Americans were a key component of the coalition of ethnic groups that elected Franklin D. Roosevelt to the White House in 1932 and contributed to the creation of the Democratic majority that dominated U. S. politics, at least in presidential contests, for roughly two decades (Mott ; Jensen). Conventional scholarly wisdom usually has it that most Italian Americans shifted thei...
TL;DR: In Adult Comics: An Introduction Roger Sabin explained how between 1986 and 1987 the term "graphic novel" became recognized mostly as a result of the success of Frank Miller's Batman: The Dark Knight Returns, Alan Moore and Dave Gibbons' Watchmen, and Art Spiegelman's MAUS as mentioned in this paper.
Abstract: Introduction In Adult Comics: An Introduction Roger Sabin explained how between 1986 and 1987 the term ‘graphic novel’ became recognized mostly as a result of the success of Frank Miller’s Batman: The Dark Knight Returns, Alan Moore and Dave Gibbons’ Watchmen, and Art Spiegelman’s MAUS. This type of comic signified a revolutionary evolution towards an elaborate adult perspective. From the lesser and ephemeral space of the children’s comic, there was a shift towards the graphic novels for adul...