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Distinction A Social Critique Of The Judgement Of Taste

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Cosmopolitan Style: Modernism Beyond the Nation

textAs a result of mass migration, the ethnic composition of western
countries has become increasingly diverse Both inside and outside
academia, this development has led to heated discussions about
whether ethnic minorities are - or even have to be - assimilated into
mainstream society
In Assimilation into the Literary Mainstream, Pauwke Berkers
addresses how literary critics, policy makers and textbook editors
have dealt with ethnic diversity in the United States, the Netherlands
and Germany between 1955 and 2005
How much newspaper coverage has been devoted to ethnic minority
authors and how has this changed over time? And to what extent do
reviewers discuss the ethnic background of such writers? Moreover,
have national literary policy organizations actively stimulated or
largely ignored ethnic diversity? Finally, to what degree are ethnic
minority authors canonized in national literary histories?
Examining the use of ethnic discourse, the numerical representation
and the labels used to describe ethnic minority authors, the author
demonstrates that ethnic boundaries are relatively weak, moderately
strong and strong in the literary fields of the US, the Netherlands
and Germany respectively
At a macro-level, these cross-national differences are related to
different national repertoires of evaluation However, within national
literary fields, ethnic classifications differ, depending on the structural
position that different literary institutions hold vis-a-vis the economic and political field

/pdf/classification-into-the-literary-mainstream-ethnic-1sb1qseg81.pdf

Classification into the literary Mainstream? Ethnic Boundaries in the Literary Fields of the United States, the Netherlands and Germany, 1955-2005

Hoe divers is het Nederlandse literatuuronderwijs? Uit wetenschappelijk onderzoek blijkt dat er een serieus onevenwicht is tussen mannelijke en vrouwelijke, westerse en niet-westerse, Nederlandse en Vlaamse auteurs in de boekkeuzes die leerlingen maken.

/pdf/de-helaasheid-der-leeslijsten-over-diversiteit-in-het-23uu7pnyuw.pdf

De helaasheid der leeslijsten: over diversiteit in het literatuuronderwijs

Introduction to the special issue on global tastes: The transnational spread of non-Anglo-American culture

Although still a neglected area, over the years a growing body of sociological research on the position of ethno-racial minorities in Western artistic fields has emerged. With this article we aim to contribute to this research area by focusing on ethno-racial diversity in the Dutch literary field. Through in-depth interviews, we analyse how gatekeepers mobilise specific cultural repertoires and by doing so draw ethno-racial boundaries when discussing acquisition, assessing quality and positioning themselves in the literary field. We argue that literary publishers and other professionals (selectively) employ an ‘old school’ modernist repertoire that especially values the formal aspects of literary products, by which non-white writers and publishers concerned with diversity are often positioned in an identity politics framework. Their work is said to take in a less prestigious ‘political’/’subjective’ position rather than a ‘literary’/‘universal’ one. As such, this paper informs on how gatekeepers’ ...

/pdf/depoliticising-literature-politicising-diversity-ethno-35qv9yq7u0.pdf

Depoliticising literature, politicising diversity: ethno-racial boundaries in Dutch literary professionals’ aesthetic repertoires

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Depoliticising literature, politicising diversity: ethno-racial boundaries in Dutch literary professionals’ aesthetic repertoires