Stuart Cunningham

TL;DR: In this article, the authors present a rationale for distinguishing between notions of cultural and creative industries which has implications for theory, industry and policy analysis, from the standpoint of a researcher and analyst and also from a position of a corporate involvement in a substantial project to grow and diversify a regional economy through the development of its creative industries.

TL;DR: A review of the policy literature reveals that although questions and issues remain around definitional coherence, there is some degree of consensus emerging about the size, scope, and significance of the sectors in question in both advanced and developing economies as discussed by the authors.

TL;DR: New Patterns in Global Television as mentioned in this paper provides a comprehensive overview of the new patterns of flow in international television programme exchange and service provision in the satellite era, patterns unrecognised by the perspective of the prevailing theoretical orthodoxies in international communication research and policy.

TL;DR: The transformation of social media platforms and user-experience have redefined the entertainment industry in a little over a decade, including YouTube, Facebook, Twitter, Instagram, and Snapchat, have given rise to a new creative industry: social media entertainment as mentioned in this paper.