List of figures and tables Acknowledgments Prologue Part I. Theory and Function: 1. The structure of emotions 2. Intuitive and empirical approaches to understanding 3. Rationality and emotions 4. Mutual plans and social emotions Part II. Conflict and Unpredictability: 5. Plans and emotions in fictional narrative 6. Stress and distress 7. Freud's cognitive psychology of intention: the case of Dora Part III. Enjoyment and Creativity: 8. Happiness 9. Putting emotions into words Epilogue Notes References Author index Subject index.

Best-Laid Schemes: A Psychology of Emotions.

This paper presents a study of the generation, manipulation and use of visual representations in different episodes of scientific discovery. The study identifies a common set of transformations of visual representations underlying the distinctive methods and imagery of different scientific fields. The existence of common features behind the diversity of visual representations suggests a common dynamical structure for visual thinking, showing how visual representations facilitate cognitive processes such as pattern-matching and visual inference through the use of tools, technologies and other cultural resources. This dynamical model suggests a way of theorizing the interaction of cognitive, socio-cultural and technological aspects of science without losing sight of the essential contribution each makes to the processes of discovery. Whereas scientific work is often construed epistemically, as having the aim of improving the fit between theories and phenomena or culturally given notions of what counts as reality, this study shows that scientists use transformations to modify visual representations in ways that achieve other kinds of match: between a representation and the cognitive demands of a task (such as pattern matching or mental rotation) or between an emerging representation and the social need to communicate and negotiate new meanings in a context of culturally embedded conventions. By showing how images connect each of the overlapping contexts of scientific work the proposed model negotiates the sometimes contested boundary between cognitive and social aspects of science.

Cognition, Construction and Culture: Visual Theories in the Sciences

16. Mad Pain and Martian Pain

Historians of science have described various cases of disciplines influencing one another. Such exchanges across disciplinary boundaries often signal innovation, intellectual change, and br...

/pdf/the-flow-of-cognitive-goods-a-historiographical-framework-e9klg9f2sa.pdf

The Flow of Cognitive Goods: A Historiographical Framework for the Study of Epistemic Transfer

Thought is normally the precursor of action. We think first, and then we act. Most models of creative thought and creative activity make a similar assumption. They assume that creative activity is preceded by, and causally dependent upon, creative thought. This chapter, in contrast, argues for the reverse. It develops a model according to which creative thought is always preceded by, and causally dependent upon, creatively generated action schemata. And it adduces a variety of considerations in support of that model.

https://www.philosophy.dept.shef.ac.uk/AHRB-Project/Papers/CarruthersV3ppr.pdf

The Creative-Action Theory of Creativity

The Cognitive Basis of Science: Human evolution and the cognitive basis of science

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The Cognitive Basis of Science: Human evolution and the cognitive basis of science