Pulitzer Prize-winning novelist Toni Morrison provides a personal inquiry into the significance of African-American literary imagination. Her goal, she states at the outset, is to \"put forth an argument for extending the study of American literature\". Author of \"Beloved\", \"The Bluest Eye\", \"Song of Solomon\", and other vivid portrayals of black American experience, Morrison ponders the effect that living in a historically racialized society has had on American writing in the 19th and 20th centuries. She argues that race has become a metaphor, a way of referring to forces, events, and forms of social decay, economic division, and human panic. Her argument is that the central characteristics of American literature - individualism, masculinity, the insistence upon innocence coupled to an obsession with figurations of death and hell - are responses to a dark and abiding Africanist presence.

Playing in the Dark: Whiteness and the Literary Imagination.

The idea of sustainable development has been discussed in tourism research for almost a quarter of a century. During that time, sustainability has become an important policy framework for tourism and regional developers guiding their planning and development thinking. Sustainability has also emerged academically as an important field of research with an emphasis on defining the limits to growth and responsibilities in tourism. However, while there are urgent needs to incorporate sustainability into tourism, there is also a growing amount of frustration among scholars on the conceptual nature of sustainability and how tourism as a private-driven economic activity relates to the ideals of sustainable development. This has created an increasing need to understand and potentially reframe the concept. The purpose of this paper is to overview the conceptual dimensions of sustainable tourism and discuss some of the main sources of frustration. Based on this, it is concluded that while a conceptual plurality seems to be unavoidable, there is a need to re-frame i.e., rescale and decentralize tourism in policy frameworks and practices aiming towards sustainability.

Critical Sustainability: Setting the Limits to Growth and Responsibility in Tourism

Recent, non-anthropocentric explorations of the interaction between human and non-human animals have resulted in many groundbreaking studies. In this ‘animal turn’, zooarchaeology, which deals with and has access to the material traces of animals that existed alongside humans over the last 2.5 million years, could occupy a privileged and influential position. Despite some encouraging efforts, however, zooarchaeology's ability to contribute to these discussions is heavily limited by the subdiscipline's firm footing within anthropocentric ontologies and reductionist epistemologies. This paper outlines a framework for a new social zooarchaeology that moves beyond the paradigm and discourse of ‘subsistence’ and of representationist and dichotomous thinking, which have treated non-human animals merely and often exclusively as nutritional or symbolic resources for the benefit of humans. Building on alternative zoontologies which reinstate the position of non-human animals as sentient and autonomous agents, this framework foregrounds the intercorporeal, sensuous and affective engagements through which humans and non-human animals are mutually constituted. These ideas are illustrated with two case studies focusing on human–whooper swan interactions in the Danish Later Mesolithic, based on the faunal assemblage from the site of Aggersund in North Jutland, and the whooper swan remains found associated with the Grave 8 at Vedbaek.

https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S1380203813000159

A manifesto for a social zooarchaeology. Swans and other beings in the Mesolithic

Only a decade ago, the notion that museums, galleries and heritage organisations might engage in activist practice, with explicit intent to act upon inequalities, injustices and environmental crises, was met with scepticism and often derision Seeking to purposefully bring about social change was viewed by many within and beyond the museum community as inappropriately political and antithetical to fundamental professional values Today, although the idea remains controversial, the way we think about the roles and responsibilities of museums as knowledge based, social institutions is changing Museum Activism examines the increasing significance of this activist trend in thinking and practice
At this crucial time in the evolution of museum thinking and practice, this ground-breaking volume brings together more than fifty contributors working across six continents to explore, analyse and critically reflect upon the museum’s relationship to activism Including contributions from practitioners, artists, activists and researchers, this wide-ranging examination of new and divergent expressions of the inherent power of museums as forces for good, and as activists in civil society, aims to encourage further experimentation and enrich the debate in this nascent and uncertain field of museum practice
Museum Activism elucidates the largely untapped potential for museums as key intellectual and civic resources to address inequalities, injustice and environmental challenges This makes the book essential reading for scholars and students of museum and heritage studies, gallery studies, arts and heritage management, and politics It will be a source of inspiration to museum practitioners and museum leaders around the globe

Museum Activism (Edition 1)

A probiotic turn is underway in the management of human and environmental health. Modern approaches are being challenged by deliberate interventions that introduce formerly taboo life forms into bodies, homes, cities and the wider countryside. These are guided by concepts drawn from the life sciences, including immunity and resilience. This analysis critically evaluates this turn, drawing on examples of rewilding nature reserves and reworming the human microbiome. It identifies a common ontology of socio-ecological systems marked by anthropogenic absences and tipped across thresholds into less desirable states. It examines the operation of an environmental mode of biopower associated with deliberate efforts to engineer ecologies through the introduction of keystone species. It offers a set of criteria for critically evaluating the degree to which these interventions transform or sustain prevalent forms of late modern biopolitics. The conclusion reflects on the potentials of probiotic environmentalities fo...

/pdf/probiotic-environmentalities-rewilding-with-wolves-and-worms-cw53qo5umq.pdf

Probiotic Environmentalities: Rewilding with Wolves and Worms:

Contributors include: Rebecca Bishop, Matthew Candelaria, J.J. Clark, Debra Durham, Ryan Hediger, David Lulka, Jed Mayer, Sarah E. McFarland, Debra Merskin, Dipika Nath, Rebecca Onion, Stephanie Rowe, Shelly R. Scott, Laurence Simmons, Traci Warkentin, and Cat Yampell.

Animals and Agency: An Interdisciplinary Exploration

Governing the Wild: Ecotours of Power

Contributors include Ryan Hediger, Lisa Jean Moore, Mary Kosut, John Kinder, Steven F. Alger, Janet M. Alger, Robert Tindol, Riitta-Marja Leinonen, Brian Lindseth, Paul Huebener, Boria Sax, Brian M. Lowe, and Hilda Kean.

Animals and War: Studies of Europe and North America

Animals and War is the first collection of essays to study its topic. Using sociology, history, anthropology, and cultural studies, it analyzes a wide range of phenomena and exposes the often paradoxical contours of human-animal relationships.

Animals and War

Becoming with Animals: Sympoiesis and the Ecology of Meaning in London and Hemingway

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