Training learning-based deblurring methods demands a tre-mendous amount of blurred and sharp image pairs. Unfortunately, existing synthetic datasets are not realistic enough, and deblurring models trained on them cannot handle real blurred images effectively. While real datasets have recently been proposed, they provide limited diversity of scenes and camera settings, and capturing real datasets for diverse settings is still challenging. To resolve this, this paper analyzes various factors that introduce differences between real and synthetic blurred images. To this end, we present RSBlur, a novel dataset with real blurred images and the corresponding sharp image sequences to enable a detailed analysis of the difference between real and synthetic blur. With the dataset, we reveal the effects of different factors in the blur generation process. Based on the analysis, we also present a novel blur synthesis pipeline to synthesize more realistic blur. We show that our synthesis pipeline can improve the deblurring performance on real blurred images. 

Realistic Blur Synthesis for Learning Image Deblurring

Over the last decade, the number of digital images captured per day has increased exponentially, due to the accessibility of imaging devices. The visual quality of photographs captured by low cost or miniaturized imaging devices is often degraded by noise during image acquisition and data transmission. With the re-emergence of deep neural networks, the performance of image denoising techniques has been substantially improved in recent years. The objective of this paper is to provide a comprehensive survey of recent advances in image denoising techniques based on deep neural networks. We begin with a thorough description of the fundamental preliminaries of the image denoising problem, followed by an overview of the benchmark datasets and commonly used metrics for objective assessment of denoising algorithms. We study the existing deep denoisers in the supervised and unsupervised training paradigms and review the technical specifics of some representative methods within each category. We conclude the survey by remarking on trends and challenges in the development of state-of-the-art algorithms and future research. 

/pdf/image-denoising-in-the-deep-learning-era-3jougixs.pdf

Image denoising in the deep learning era

The lack of large-scale noisy-clean image pairs restricts supervised denoising methods' deployment in actual applications. While existing unsupervised methods are able to learn image denoising without ground-truth clean images, they either show poor performance or work under impractical settings (e.g., paired noisy images). In this paper, we present a practical unsupervised image denoising method to achieve state-of-the-art denoising performance. Our method only requires single noisy images and a noise model, which is easily accessible in practical raw image denoising. It performs two steps iteratively: (1) Constructing a noisier-noisy dataset with random noise from the noise model; (2) training a model on the noisier-noisy dataset and using the trained model to refine noisy images to obtain the targets used in the next round. We further approximate our full iterative method with a fast algorithm for more efficient training while keeping its original high performance. Experiments on real-world, synthetic, and correlated noise show that our proposed unsupervised denoising approach has superior performances over existing unsupervised methods and competitive performance with supervised methods. In addition, we argue that existing denoising datasets are of low quality and contain only a small number of scenes. To evaluate raw image denoising performance in real-world applications, we build a high-quality raw image dataset SenseNoise-500 that contains 500 real-life scenes. The dataset can serve as a strong benchmark for better evaluating raw image denoising. Code and dataset will be released 1 1 https://github.com/zhangyi-3/IDR

IDR: Self-Supervised Image Denoising via Iterative Data Refinement

Light adaptation or brightness correction is a key step in improving the contrast and visual appeal of an image. There are multiple light-related tasks (for example, low-light enhancement and exposure correction) and previous studies have mainly investigated these tasks individually. It is interesting to consider whether the common light adaptation sub-problem in these light-related tasks can be executed by a unified model, especially considering that our visual system adapts to external light in such way. In this study, we propose a biologically inspired method to handle light-related image enhancement tasks with a unified network (called LA-Net). First, we proposed a new goal-oriented task decomposition perspective to solve general image enhancement problems, and specifically decouple light adaptation from multiple light-related tasks with frequency-based decomposition. Then, a unified module is built inspired by biological visual adaptation to achieve light adaptation in the low-frequency pathway. Combined with the proper noise suppression and detail enhancement along the high-frequency pathway, the proposed network performs unified light adaptation across various scenes. Extensive experiments on three tasks—low-light enhancement, exposure correction, and tone mapping—demonstrate that the proposed method obtains reasonable performance simultaneously for all of these three tasks compared with recent methods designed for these individual tasks. Our code is made publicly available at https://github.com/kaifuyang/LA-Net . 

Learning to Adapt to Light

Imaging in low light is extremely challenging due to low photon counts. Using sensitive CMOS cameras, it is currently possible to take videos at night under moonlight (0.05-0.3 lux illumination). In this paper, we demonstrate photorealistic video under starlight (no moon present, <0.001 lux) for the first time. To enable this, we develop a GAN-tuned physics-based noise model to more accurately represent camera noise at the lowest light levels. Using this noise model, we train a video denoiser using a combination of simulated noisy video clips and real noisy still images. We capture a 5–10 fps video dataset with significant motion at approximately 0.6-0.7 millilux with no active illumination. Comparing against alternative methods, we achieve improved video quality at the lowest light levels, demonstrating photorealistic video denoising in starlight for the first time.

/pdf/dancing-under-the-stars-video-denoising-in-starlight-1ad61eaw.pdf

Dancing under the stars: video denoising in starlight

Modeling imaging sensor noise is a fundamental problem for image processing and computer vision applications. While most previous works adopt statistical noise models, real-world noise is far more complicated and beyond what these models can describe. To tackle this issue, we propose a data-driven approach, where a generative noise model is learned from real-world noise. The proposed noise model is camera-aware, that is, different noise characteristics of different camera sensors can be learned simultaneously, and a single learned noise model can generate different noise for different camera sensors. Experimental results show that our method quantitatively and qualitatively outperforms existing statistical noise models and learning-based methods. The source code and more results are available at https://arcchang1236.github.io/CA-NoiseGAN/.

Learning Camera-Aware Noise Models

Modeling imaging sensor noise is a fundamental problem for image processing and computer vision applications. While most previous works adopt statistical noise models, real-world noise is far more complicated and beyond what these models can describe. To tackle this issue, we propose a data-driven approach, where a generative noise model is learned from real-world noise. The proposed noise model is camera-aware, that is, different noise characteristics of different camera sensors can be learned simultaneously, and a single learned noise model can generate different noise for different camera sensors. Experimental results show that our method quantitatively and qualitatively outperforms existing statistical noise models and learning-based methods.

Depth estimation is a long-lasting yet important task in computer vision. Most of the previous works try to estimate depth from input images and assume images are all-in-focus (AiF), which is less common in real-world applications. On the other hand, a few works take defocus blur into account and consider it as another cue for depth estimation. In this paper, we propose a method to estimate not only a depth map but an AiF image from a set of images with different focus positions (known as a focal stack). We design a shared architecture to exploit the relationship between depth and AiF estimation. As a result, the proposed method can be trained either supervisedly with ground truth depth, or \emph{unsupervisedly} with AiF images as supervisory signals. We show in various experiments that our method outperforms the state-of-the-art methods both quantitatively and qualitatively, and also has higher efficiency in inference time.

Bridging Unsupervised and Supervised Depth from Focus via All-in-Focus Supervision

Tone-mapping plays an essential role in high dynamic range (HDR) imaging. It aims to preserve visual information of HDR images in a medium with a limited dynamic range. Although many works have been proposed to provide tone-mapped results from HDR images, most of them can only perform tone-mapping in a single pre-designed way. However, the subjectivity of tone-mapping quality varies from person to person, and the preference of tone-mapping style also differs from application to application. In this paper, a learning-based multimodal tone-mapping method is proposed, which not only achieves excellent visual quality but also explores the style diversity. Based on the framework of BicycleGAN, the proposed method can provide a variety of expert-level tone-mapped results by manipulating different latent codes. Finally, we show that the proposed method performs favorably against state-of-the-art tone-mapping algorithms both quantitatively and qualitatively.

Explorable Tone Mapping Operators

Tone-mapping plays an essential role in high dynamic range (HDR) imaging. It aims to preserve visual information of HDR images in a medium with a limited dynamic range. Although many works have been proposed to provide tone-mapped results from HDR images, most of them can only perform tone-mapping in a single pre-designed way. However, the subjectivity of tone-mapping quality varies from person to person, and the preference of tone-mapping style also differs from application to application. In this paper, a learning-based multimodal tone-mapping method is proposed, which not only achieves excellent visual quality but also explores the style diversity. Based on the framework of BicycleGAN [1], the proposed method can provide a variety of expert-level tone-mapped results by manipulating different latent codes. Finally, we show that the proposed method performs favorably against state-of-the-art tone-mapping algorithms both quantitatively and qualitatively.

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Learning Camera-Aware Noise Models

Learning Camera-Aware Noise Models

Bridging Unsupervised and Supervised Depth from Focus via All-in-Focus Supervision

Explorable Tone Mapping Operators

Explorable Tone Mapping Operators