The Routledge Companion to Travel Writing

Introduction John Sellars Part 1: Antiquity and the Middle Ages 1. Stoicism in Rome Gretchen Reydams-Schils 2. Stoicism in Early Christianity Troels Engberg-Pedersen 3. Plotinus and the Platonic Response to Stoicism Lloyd Gerson 4. Augustine's Debt to Stoicism in the Confessions Sarah Byers 5. Boethius and Stoicism Matthew Walz 6. Stoic Themes in Peter Abelard and John of Salisbury Kevin Guilfoy 7. Stoic Influences in the Later Middle Ages Mary Beth Ingham Part 2: Renaissance and Reformation 8. The Recovery of Stoicism in the Renaissance Ada Palmer 9. Stoicism in the Philosophy of the Italian Renaissance Jill Kraye 10. Erasmus, Calvin, and the Faces of Stoicism in Renaissance and Reformation Thought Barbara Pitkin 11. Justus Lipsius and Neostoicism Jacqueline Lagree 12. Shakespeare and Early Modern English Literature Andrew Shifflett Part 3: Early Modern Europe 13. Medicine of the Mind in Early Modern Philosophy Guido Giglioni 14. Stoic Themes in Early Modern French Thought Michael Moriarty 15. Spinoza and Stoicism Jon Miller 16. Leibniz and the Stoics: Fate, Freedom, and Providence David Forman 17. The Epicurean Stoicism of the French Enlightenment Edward Andrew 18. Stoicism and the Scottish Enlightenment Christian Maurer 19. Kant and Stoic Ethics Jose Torralba and Daniel Doyle Part 4: The Modern World 20. Stoicism in Nineteenth Century German Philosophy Michael Ure 21. Stoicism and Romantic Literature Simon Swift 22. Stoicism in Victorian Culture Heather Ellis 23. Stoicism in America Kenneth Sacks 24. Stoic Themes in Contemporary Anglo-American Ethics Christopher Gill 25. Stoicism and Twentieth Century French Philosophy Thomas Benatouil 26. The Stoic Influence on Modern Psychotherapy Donald Robertson. Index

The Routledge Handbook of the Stoic Tradition

This examination of the relation between law and drama in Renaissance England establishes the diversity of their dialogue, encompassing critique and complicity, comment and analogy, but argues that the way in which drama addresses legal problems and dilemmas is nevertheless distinctive. As the resemblance between law and theatre concerns their formal structures rather than their methods and aims, an interdisciplinary approach must be alive to distinctions as well as affinities. Alert to issues of representation without losing sight of a lived culture of litigation, this study primarily focuses on early modern implications of the connection between legal and dramatic evidence, but expands to address a wider range of issues which stretch the representational capacities of both courtroom and theatre. The book does not shy away from drama's composite vision of legal realities but engages with the fictionality itself as significant, and negotiates the methodological challenges it posits.

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Law and representation in early modern drama

Introduction: rhetorics and records Part I. Change: 1. Troubled times 2. Mapping troubles 3. Streets Part II. Crime: 4. Crime: worlds 5. Crime: words Part III. Control: 6. Court days 7. Bodies 8. Policing: people and policy 9. Policing: night battles 10. Policing: process and prosecution 11. Policing: knowledge Conclusion.

Lost Londons: Change, Crime, and Control in the Capital City, 1550-1660

Acknowledgements Notes on the text Introduction Part I. Language in the Trivium: 1. Language in logic 2. Language in grammar 3. Language in rhetoric Part II. Philosophical Developments of the Problem of Language: 4. The relationships between language, mind and world 5. Semantic instability: a containable threat 6. Under cover of sensible and powerful words Part III. Locke on Language: 7. Words signify ideas alone 8. Semantic instability: an inherent imperfection 9. A life of their own 10. Locke in the face of language Bibliographies.

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Locke, Language and Early-Modern Philosophy

Volume I: Medieval Drama Volume II: 1500-1576 Volume III: 1576-1613 Volume IV: 1613-1660 Volume V: 1660-1750 Volume VI: 1750-1880 Volume VII: Drama Since 1880 Volume VIII: American Drama Since 1800

The Revels History of Drama in English

Volume 1: 478 p., plate, facsimiles, music example. Volume 2: 386 p., facsimiles. Volume 3: 494 p., plates, facsimiles, music example. Volume 4: 430 p., facsimiles. Volume 5: 374 p.

The plays and poems of Philip Massinger

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Shakespeare and the Geography of Difference

Preface 1. Rhetoric and insincerity L. C. Knights 2. Some aspects of style in the Henry VI plays Wolfgang Clemen 3. Poem and context in Love's Labour's Lost G. K. Hunter 4. The declaration of love Philip Edwards 5. Juliet's Nurse: the uses of inconsequentiality Stanley Wells 6. Language most shows a man...? Language and speaker in Macbeth Nicholas Brooke 7. Poetic language and dramatic significance in Shakespeare R. A. Foakes 8. Feliciter audax: Antony and Cleopatra, 1,i,1-24 G. R. Hibbard 9. 'My name is Marina': the language of recognition Inga-Stina Ewbank 10. Leontes and the spider: language and speaker in Shakespeare's Last Plays Anne Barton 11. Shakespeare's 'bombast' E. A. J. Honigmann 12. The defence of paradox Geoffrey Bullough 13. 'True, gallant Raleigh': some off-stage conversations in Shakespeare's plays A. C. Sprague 14. Shakespeare's recollections of Marlowe M. C. Bradbrook 15. Shakespeare's Dark Lady: a question of identity S. Schoenbaum 16. Checklist of writings by Kenneth Muir, 1937-1979 Index.

Shakespeare's Styles: Essays in Honour of Kenneth Muir

List of plates Preface 1. Introduction: the King's threshold Part I. Shakespeare's England: 2. A superfluous sort of men: the rise and fall of the professional theatre 3. Astraea and Chrisoganus 4. Nation and empire 5. The hidden King: Shakespeare's history plays 6. Ben Jonson 7. The royal pretenders: Ford's Perkin Warbeck and Massinger's Believe As You List Part II. Yeats's Ireland: 8. Our Irish theatre 9. A play-house in the waste: George Moore and the Irish theatre 10. Nothing is concluded Sean O'Casey, Denis Johnston and Brendan Behan Notes Index.

Threshold of a Nation: A Study in English and Irish Drama

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