This article reviews andragogy as the philosophy resident in the broad arena of experience-based learning. Beneath the umbrella of experience-based learning lie the specific classroom orientations ...

Making It Personal: The Importance of Student Experience in Creating Autonomy-Supportive Classrooms for Millennial Learners.

PEOPLE: International Journal of Social Sciences

/pdf/development-of-the-setis-instrument-to-measure-teachers-self-11q1oiiz04.pdf

Development of the SETIS Instrument to Measure Teachers' Self-Efficacy to Teach Science in an Integrated STEM Framework

The increasingly widespread use of iPads in higher education ( HE) brings to the forefront questions about the contribution of these computer tablets towards teaching and learning. However, there is a noticeable gap of research on the instructional potential of iPads in HE. This paper describes the first stage of a research project on the use of iPads in undergraduate art and design disciplines, and is a collaboration between the research lab 'Networked Learning Technologies in Art and Design' at Cyprus University of Technology, and the 'Centre for Pedagogic Research' at Falmouth University in England. The participants from both institutions provided a student-centred perspective, and the qualitative analysis (phenomenography) revealed varied perceptions. Based on the findings of this project, the implication is that there are a number of challenges and obstacles in embedding the use of iPads in art and design education. Further research in the second stage of this collaborative research will investigate the views and motivations of art and design faculty. A video abstract of this article can be viewed at [ABSTRACT FROM AUTHOR]

A phenomenographic investigation on the use of iPads among undergraduate art and design students

Creativity is very much in the forefront of current international economic news. As developing countries successfully vie with established economies for manufacturing and less-skilled jobs, the pressure is on the developed world to move on to the next economic break-through. Innovation and the creativity that drive it are seen as crucial to this process. Ultimately, education is viewed as the place to inculcate creativity in upcoming generations, to prepare them for the challenges (economic and otherwise) nations will face in coming years. The current global interest in the development of creative thinking for all areas of education requires teachers at all levels to construct learning experiences that generate not only creative products but also creative processes. These processes could ideally be applied across various disciplines requiring complex problem solving, engendering creative outcomes in multiple domains. While the authors assumed that teachers in the creative disciplines of art and design should take a leading role in this development of creative processes, it is not clear that this is happening. This article examines the background of the current calls for creativity, and reviews challenges to the leadership of creative teachers in teaching in non-creative disciplines.

Creatives Teaching Creativity.

This article focuses on current examples of project or design-based learning at the secondary school level in the context of the increasing importance of creativity and innovative thinking in the twenty-first century. The authors argue that students today learn more effectively in pedagogical practices that emphasise holistic thinking, active learning, visual media and problem-solving.

Design-based learning presents new ways for realising long-term goals and learning outcomes. The purpose of this article is to investigate best practices of design education in the community and to propose instructional resource examples on design to K-12 school teachers. This article points out the importance of systemised process for the work of design-based teachers and learners, addresses the study of design as a subject of investigation and a mode of inquiry that engages a variety of student learning styles and makes direct connections between subjects and problem-solving in daily life.

Our belief is that the case studies explored in this article represent the seeds of a new model of education based on creative and applied learning. The exemplar communities chosen for onsite research are the education department of the Cooper-Hewitt National Design Museum in New York City and the Art Center College of Design in Pasadena, California, USA.

Education in the New Millennium: The Case for Design-Based Learning.

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Education in the New Millennium: The Case for Design-Based Learning.