Preface (1999) Preface (1990) 1. Subjects of Sex/Gender/Desire I. 'Women' as the Subject of Feminism II. The Compulsory Order of Sex/Gender/Desire III. Gender: The Circular Ruins of Contemporary Debate IV. Theorizing the Binary, the Unitary and Beyond V. Identity, Sex and the Metaphysics of Substance VI. Language, Power and the Strategies of Displacement 2. Prohibition, Psychoanalysis, and the Production of the Heterosexual Matrix I. Structuralism's Critical Exchange II. Lacan, Riviere, and the Strategies of Masquerade III. Freud and the Melancholia of Gender IV. Gender Complexity and the Limits of Identification V. Reformulating Prohibition as Power 3. Subversive Bodily Acts I. The Body Politics of Julia Kristeva II. Foucault, Herculine, and the Politics of Sexual Discontinuity III. Monique Wittig - Bodily Disintegration and Fictive Sex IV. Bodily Inscriptions, Performative Subversions Conclusion - From Parody to Politics

Postmodern Subjects, Postmodern BodiesThinking Fragments: Psychoanalysis, Feminism, and Postmodernism in the Contemporary WestYearning: Race, Gender, and Cultural PoliticsGender Trouble: Feminism and the Subversion of Identity

Within food media, especially within the digital domain, still images play a central role in communicating cultural meanings associated with the presentation and representation of food. However, li...

Contemporary food imagery: food porn and other visual trends

Riferimenti Bibliografici

The refugee makeshift settlement of Calais, globally known as the “Calais Jungle”, was dismantled in October 2016. Its existence, as a spectacle repeatedly spread by the media all over the world, w...

“Now is the real Jungle!” Institutional hunting and migrants’ survival after the eviction of the Calais camp:

This thesis illustrates the relationship between body and space in the process of identity construction amongst groups of young men of migrant origins between 16 and 21 practicing capoeira and parkour in Turin's public spaces. Urban spaces in contemporary Turin, Italy, are contested sites where competing images of society, politics and citizenship are (re)produced and negotiated. While at a national level, widespread xenophobic discourses define immigrants and their children as alien bodies in Italian cities, Turin leaderships and cultural entrepreneurs aiming to attract visitors and capital investments have based the city's urban renewal on an image of multiculturalism and inclusiveness. The intersection of such discourses shapes the manifold ways through which immigrant bodies, and identities, become valorised, pathologised and essentialised in Turin. Based on fourteen months of ethnographic research conducted with a multi-method qualitative approach, this study explores how participants negotiated identity and processes of inclusion/exclusion in Turin, through engaging with capoeira and parkour. The analysis of participants' embodied and emplaced identity negotiations enacted through capoeira and parkour addressed the shifting articulations of race/body/marginality, and the relationship between physical culture(s), spaces and subjectivity within the rebranding urban landscape of early 21st century Turin. The exploration of participants' contested practices of diasporic cosmopolitanism and (contingent) citizenship provided insightful perspectives to address the changing meanings, and stakes of multiculturalism, citizenship and social justice in contemporary European societies. The critical analysis of capoeira and parkour also interrogated the ambivalent nature of participants' negotiations in a historical global context, marked by ubiquitous bio-political health imperatives and individualizing moralities of self-fashioning. The study findings therefore contribute to a scholarship aiming to recognize and articulate global processes within local sites of inequalities and negotiations, in exploring how contemporary identities are constructed and (re)produced within the spaces of our cities.

Climbing Walls, Making Bridges:Capoeira, Parkour and Children of Immigrants' Identity Negotiations in Turin's Public Spaces

This paper shows how girls and women who practise parkour cross the gendered divisions of space, sport and other symbolic territories that are brought into play by so-called risk-taking sports, and how it may therefore be considered a subversive action. The strategies of negotiation produced by such symbolic crossings are examined via the concepts of reproductive and resistant agency and of gender manoeuvring. In particular the concept of gender manoeuvring will be used to examine the mechanisms of inter- and intra-gender inclusion and exclusion which, within subcultures, pass through a recognition of authenticity. Indeed, in the culture of parkour the question of authenticity emerges when media dissemination produces a split into two distinct practices: art du deplacement and freerunning. The traceuses cross this boundary because of their different origin (they are from the streets as opposed to the gym), thereby building within their gender further discourses on authenticity.

https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S1353294400014678

Crossing the symbolic boundaries: parkour, gender and urban spaces in Genoa

Television programming has experienced a recent influx of shows which focus on food and diet. The discursive forms employed by the media converge on an axis of hedonism/self-control: on the one hand, the increased construction of a culture of desire and fantasy relating to the consumption of food (Food Porn), on the other a neo-liberal discourse on the privatization of the individual’s responsibility towards their own body and health by virtue of media spectacularization of self-empowerment and self-governance.

/pdf/you-are-what-you-eat-television-narratives-between-hedonism-snu1t27rdf.pdf

You Are What You Eat. Television narratives between hedonism and self-control

This chapter focuses on gastro-nationalism, specifically in relation to food porn. In general, by food porn we mean the overabundance of discourses around food, which has spread in a reflective way among the different levels and scopes of cultural production, as well as the practice of photographing food and sharing the image on social media. Among the other effects, this also reflects on the overflow of culinary formats shown on television. The idea took shape when the image of food, including its symbolic value and the aesthetics of the dish, started to acquire a greater value than its creators and the techniques of its preparation (Stagi in Food Porn. L’ossessione per il cibo in tv e sui social media. Egea, Milan, 2016).

The carbonara-gate. Food porn and gastro-nationalism

SOCIOLOGIE VISUELLE ET FILMIQUE Le point de vue dans la vie quotidienne

The subject of essay is the decision to wear a veil on the part of some young Tunisian women. After having reconstructed how the research process in Tunisia developed, and how this experience is considered in the broader path developed by the visual sociology laboratory, one will therefore deal with the veil as a practice of resistance and subjectification. In the Tunisian postrevolution, the female body represents a territory of symbolic struggle between generations that move in the tension among modernity and tradition.

/pdf/wearing-a-veil-gender-and-generations-in-post-revolution-wn04vcapgy.pdf

Wearing a Veil. Gender and Generations in Post Revolution Tunisia

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