Julien Meyer
Museu Paraense Emílio Goeldi
5 Papers
19 Citations
Julien Meyer is an academic researcher from Museu Paraense Emílio Goeldi. The author has contributed to research in topics: Intelligibility (communication) & Background noise. The author has an hindex of 3, co-authored 5 publications.
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Papers
Speech recognition in natural background noise.
TL;DR: The extensive analysis of recognition scores, confusion patterns and associated acoustic cues revealed that sonorant, sibilant and burst properties were the most important parameters influencing phoneme recognition, and extracted a resistance scale from consonant recognition scores.
•Journal Article
The Study of tone and related phenomena in an Amazonian tone language: Gavião of Rondônia
Denny Moore,Julien Meyer +1 more
TL;DR: Methods to map out the system of tone and length were devised and used in the study of other Amazonian languages, including Karitiana, Munduruku, Zoro, and Surui of Rondonia, with success.
Intelligibilité de la parole à plusieurs distances dans un bruit naturel
Julien Meyer,Laure Dentel,Fanny Meunier +2 more
- 12 Apr 2010
TL;DR: In this paper, a new path in speech perception in noise is taken by analyzing the phenomenon of intelligibility loss with increasing listener-to-speaker distance by considering the combined effect of amplitude attenuation and of a stable outdoor rural ambient noise (without wind or perceptible mechanical noise).
3
Speech Recognition Experiment in 'Natural Quiet' Background Noise
Julien Meyer,Fanny Meunier,Laure Dentel +2 more
- 10 Aug 2015
TL;DR: The impact of basic properties of a typical 'natural quiet' and non reverberant soundscape on speech recognition is measured and the recognition performance for vowels and consonants and for different classes of consonants is analyzed.
Verbal art and music in the Gavião language of Rondônia: methodology for the study and the documentation of speech played on musical instruments
Julien Meyer,Denny Moore +1 more
TL;DR: In a language with distinctive tone and length, such as Gaviao of Rondonia, the first question about speech played by musical instruments is the relation between the melodies and the super-segmental phonology of the corresponding words in sung speech and in normal speech.