The article reviews the book "Alone Together: Why We Expect More From Technology and Less From Each Other," by Sherry Turkle.

Alone Together: Why We Expect More from Technology and Less from Each Other.

The Net Delusion: The Dark Side of Internet Freedom by Evgeny Morozov New York: Public Affairs, 2011 409 pages $16.99 [ILLUSTRATION OMITTED] In January 2010, Secretary of State Hillary Clinton gave a highly touted speech on Internet freedom in which she stated, "The freedom to connect is like the freedom of assembly, only in cyberspace. It allows individuals to get online, come together, and hopefully cooperate. Once you're on the Internet, you don't need to be a tycoon or a rock star to have a huge impact on society." Evgeny Morozov, in his book The Net Delusion, takes great issue with the implication, however, that the so-called "Arab Spring" and "Twitter Revolution" were caused by unfettered access to the Internet. Instead, Morozov, a research academic, provides a cautionary tale about what he argues is any attempt to establish a monocausal relationship to meaningful political change (especially when that single focus is information technology). The book opens with a discussion of cyber-utopianism and Internet-centrism--mind-sets that focus on the positive "emancipatory" aspects of Internet communication while ignoring the downsides. The argument throughout centers on nation-state policy, or lack thereof, that attacks the "wicked" problem of authoritarianism by, as a colleague of mine has dubbed it, "wiring the world." Morozov, expectantly, but importantly, cites the hedonistic world portrayed by Huxley and the "Big Brother" world of Orwell to consider both the proactive and reactive approaches to Internet freedom by authoritarian regimes. Interestingly, he notes that there is often a mix of both. Such regimes certainly use the anonymity and openness of the Internet to spy on their people and shutdown undesirable sites. But there is also a subtle approach that belies the jackboot on the keyboard methodology. While China may be known more for suppressing the Internet and for employing the masses to counter antiregime rhetoric, Russia imposes no formal Internet censorship. It relies on entertainment (porn is specifically cited) to soothe the masses, assuming that given options for political discourse and anything else, most opt for "anything else." Hitler would understand. And in nations where freedom is not widely understood from a western perspective, any bit of additional mindless diversion may be viewed as liberty by the populace. Perhaps most importantly, Morozov rails against social media determinism as driving the end of authoritarianism, labeling it "an intellectually impoverished, lazy way to study the past, understand the present, and predict the future." He does not dismiss the value of Facebook and Twitter to quickly mobilize like-minded individuals. He notes as well that the development of that very like-mindedness is complex and potentially can be manipulated by authoritarian governments using the same Internet freedom. …

The Net Delusion: The Dark Side of Internet Freedom

Hardcover: 352 pagesYear: 2014Publisher: Oxford University PressISBN-13: 978-0199678112“The first ultraintelligent machine is the last invention that man need ever make, provided that the machine i...

Superintelligence: Paths, Dangers, Strategies

How Users Matter: The Co-Construction of Users and Technology:

Recently, the world witnessed a significant increase in the number of used drones, with a global and continuous rise in the demand for their multi-purpose applications. The pervasive aspect of these drones is due to their ability to answer people’s needs. Drones are providing users with a bird’s eye that can be activated and used almost anywhere and at any time. However, recently, the malicious use of drones began to emerge among criminals and cyber-criminals alike. The probability and frequency of these attacks are both high and their impact can be very dangerous with devastating effects. Therefore, the need for detective, protective and preventive counter-measures is highly required. The aim of this survey is to investigate the emerging threats of using drones in cyber-attacks, along the countermeasures to thwart these attacks. The different uses of drones for malicious purposes are also reviewed, along the possible detection methods. As such, this paper analyzes the exploitation of drones vulnerabilities within communication links, as well as smart devices and hardware, including smart-phones and tablets. Moreover, this paper presents a detailed review on the drone/Unmanned Aerial Vehicle (UAV) usage in multiple domains (i.e civilian, military, terrorism, etc.) and for different purposes. A realistic attack scenario is also presented, which details how the authors performed a simulated attack on a given drone following the hacking cycle. This review would greatly help ethical hackers to understand the existing vulnerabilities of UAVs in both military and civilian domains. Moreover, it allows them to adopt and come up with new techniques and technologies for enhanced UAV attack detection and protection. As a result, various civilian and military anti-drones/UAVs (detective and preventive) countermeasures will be reviewed.

Security analysis of drones systems: Attacks, limitations, and recommendations

The term design fiction was originally coined in 2005 by the Science Fiction author Bruce Sterling. In the 10 years since, design fiction has received considerable interest from a range disciplines most notably HCI which increasingly draws upon generative methods and creative practices. In this paper we consider examples of recent HCI research that refers to design fiction in order to highlight commonalities and ambiguities in how the term is interpreted and used. We argue that design fiction is a compelling and powerful concept but is inherently ambiguous. We therefore suggest strategies to disambiguate communications 'about design fiction' in order to strengthen applications 'of design fiction'.

/pdf/back-to-the-future-10-years-of-design-fiction-2ls30mwixh.pdf

Back to the future: 10 years of design fiction

This paper considers how design fictions in the form of 'imaginary abstracts' can be extended into complete 'fictional papers'. Imaginary abstracts are a type of design fiction that are usually included within the content of 'real' research papers, they comprise brief accounts of fictional problem frames, prototypes, user studies and findings. Design fiction abstracts have been proposed as a means to move beyond solutionism to explore the potential societal value and consequences of new HCI concepts. In this paper we contrast the properties of imaginary abstracts, with the properties of a published paper that presents fictional research, Game of Drones. Extending the notion of imaginary abstracts so that rather than including fictional abstracts within a 'non-fiction' research paper, Game of Drones is fiction from start to finish (except for the concluding paragraph where the fictional nature of the paper is revealed). In this paper we review the scope of design fiction in HCI research before contrasting the properties of imaginary abstracts with the properties of our example fictional research paper. We argue that there are clear merits and weaknesses to both approaches, but when used tactfully and carefully fictional research papers may further empower HCI's burgeoning design discourse with compelling new methods.

/pdf/pushing-the-limits-of-design-fiction-the-case-for-fictional-u51qga6llh.pdf

Pushing the Limits of Design Fiction: The Case For Fictional Research Papers

Creating visual imagery helps us to situate ourselves within unknown worlds, processes, make connections, and find solutions. By exploring drawn ideas for novel technologies, we can examine the implications of their place in the world. Drawing, or sketching, for future inquiry in Human Computer Interaction (HCI) can be a stand-alone investigative approach, part of a wider ‘world-building’ in design fiction, or simply ideation around a concept. By examining instances of existing practice in HCI, in this paper we establish recommendations and rationales for those wishing to utilise sketching and drawing within their research. We examine approaches ranging from ideation, diagramming, scenario building, comics creation and artistic representation to create a model for sketching and drawing as future inquiry for HCI. This work also reflects on the ways in which these arts can inform and elucidate research and practice in HCI, and makes recommendations for the field, within its teaching, processes and outcomes.

/pdf/sketching-drawing-as-future-inquiry-in-hci-2q91v3o400.pdf

Sketching & Drawing as Future Inquiry in HCI

Design fiction, is often defined as the “deliberate use of diegetic prototypes to suspend disbelief about change” (Sterling 2012). Practically speaking design fictions can be seen as “a conflation of design, science fact, and science fiction” (Bleecker 2009, p. 6) employing fiction as a medium “not to show how things will be but to open up a space for discussion” (Dunne & Raby 2013, p.51). The concept has gained traction in recent years, with a marked increase in published research on both the meta-theory of the practice itself and also studies of using it in a variety of contexts. However, the field is in a formative period. Hales talks about the term design fiction as being “enticing and provocative, yet it still remains elusive” (2013, p.1) whereas Markussen & Knutz sum up this epoch in the history of design fiction by saying “It is obvious from the growing literature that design fiction is open to several different interpretations, ideologies and aims.” (2013, p.231) So, it seems then that design fiction currently occupies a liminal space between the excitement of possibility and the challenges of divergence. In this paper I will highlight sites of ambiguity and describe the disparate nature of design fiction theory/practice in order to illuminate the inherent complexities. Alongside I suggest elements of a ‘pragmatics framework’ for design fiction in order to strengthen foundations by facilitating a reduction in ambiguity, while being careful not to over specify and therefore constrain the ability to grow and adapt.

/pdf/a-pragmatics-framework-for-design-fiction-jqfm94vl0e.pdf

A pragmatics framework for design fiction

Tyrell: Is this to be an empathy test? Capillary dilation of the so-called blush response? Fluctuation of the pupil. Involuntary dilation of the iris... Deckard: We call it Voight-Kampff for short. Design fiction is a broad term that occupies a space within the wider miscellany of speculative design approaches and is appearing as a nascent method for HCI research. The factor that differentiates and distinguishes design fiction from other approaches is its novel use of world building and in this paper we consider whether there is value in creating fictional research worlds through which we might consider future interactions. As an example we build a world in which algorithms for detecting empathy will become a major compnent of future communications. We take inspiration from the sci-fi film Blade Runner in order to consider what a plausible world, in which it is useful to build a Voight-Kampff machine, might be like.

/pdf/design-fiction-how-to-build-a-voight-kampff-machine-2ruawwt41u.pdf

Design Fiction: How to Build a Voight-Kampff Machine

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