In a film produced by Johansson, a group of moving spots, corresponding to lights attached to the main joints of a walker or a runner, gives instantly a vivid impression of a person walking or running. Even when this film was inverted and run backward, some sort of human movement was still perceived. It was perceived more frequently as an upright image of a person moving forward in a very strange manner than as an inverted image of a person moving backward. Such strangeness seemed to arise from the fact that the actor's arms were perceived as legs and vice versa. The phase relations typical of the Johansson pattern are therefore still present when the film is inverted and run backward, leading to the perception of biological motions though these motions are very strange.

Upside-down presentation of the Johansson moving light-spot pattern

Whenever two or more sensory inputs are highly consistent in one or more dimension(s), observers will be more likely to perceive them as a single multisensory event rather than as separate unimodal events. For audiovisual speech, but not for other noncommunicative events, participants exhibit a "unity effect," whereby they are less sensitive to temporal asynchrony (i.e., that are more likely to bind the multisensory signals together) for matched (than for mismatched) speech events. This finding suggests that the modulation of multisensory integration by the unity effect in humans may be specific to speech. To test this hypothesis directly, we investigated whether the unity effect would also influence the multisensory integration of vocalizations from another primate species, the rhesus monkey. Human participants made temporal order judgments for both matched and mismatched audiovisual stimuli presented at a range of stimulus-onset asynchronies. The unity effect was examined with (1) a single call-type across two different monkeys, (2) two different call-types from the same monkey, (3) human versus monkey "cooing," and (4) speech sounds produced by a male and a female human. The results show that the unity effect only influenced participants' performance for the speech stimuli; no effect was observed for monkey vocalizations or for the human imitations of monkey calls. These findings suggest that the facilitation of multisensory integration by the unity effect is specific to human speech signals.

Facilitation of multisensory integration by the "unity effect" reveals that speech is special.

A question that has emerged over recent years is whether audiovisual (AV) speech perception is a special case of multi-sensory perception. Electrophysiological (ERP) studies have found that auditory neural activity (N1 component of the ERP) induced by speech is suppressed and speeded up when a speech sound is accompanied by concordant lip movements. In Experiment 1, we show that this AV interaction is not speech-specific. Ecologically valid nonspeech AV events (actions performed by an actor such as handclapping) were associated with a similar speeding-up and suppression of auditory N1 amplitude as AV speech (syllables). Experiment 2 demonstrated that these AV interactions were not influenced by whether A and V were congruent or incongruent. In Experiment 3 we show that the AV interaction on N1 was absent when there was no anticipatory visual motion, indicating that the AV interaction only occurred when visual anticipatory motion preceded the sound. These results demonstrate that the visually induced speeding-up and suppression of auditory N1 amplitude reflect multisensory integrative mechanisms of AV events that crucially depend on whether vision predicts when the sound occurs.

Neural correlates of multisensory integration of ecologically valid audiovisual events.

Multisensory action perception: sounds influence on visual sensitivity to viewed actions

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Multisensory action perception: sounds influence on visual sensitivity to viewed actions