Preface (1999) Preface (1990) 1. Subjects of Sex/Gender/Desire I. 'Women' as the Subject of Feminism II. The Compulsory Order of Sex/Gender/Desire III. Gender: The Circular Ruins of Contemporary Debate IV. Theorizing the Binary, the Unitary and Beyond V. Identity, Sex and the Metaphysics of Substance VI. Language, Power and the Strategies of Displacement 2. Prohibition, Psychoanalysis, and the Production of the Heterosexual Matrix I. Structuralism's Critical Exchange II. Lacan, Riviere, and the Strategies of Masquerade III. Freud and the Melancholia of Gender IV. Gender Complexity and the Limits of Identification V. Reformulating Prohibition as Power 3. Subversive Bodily Acts I. The Body Politics of Julia Kristeva II. Foucault, Herculine, and the Politics of Sexual Discontinuity III. Monique Wittig - Bodily Disintegration and Fictive Sex IV. Bodily Inscriptions, Performative Subversions Conclusion - From Parody to Politics

Postmodern Subjects, Postmodern BodiesThinking Fragments: Psychoanalysis, Feminism, and Postmodernism in the Contemporary WestYearning: Race, Gender, and Cultural PoliticsGender Trouble: Feminism and the Subversion of Identity

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This article develops and empirically evaluates an institutional theory of gender inequalities in business start-up, ownership, and growth orientation. I argue that in contexts in which institution...

Business as Plan B Institutional Foundations of Gender Inequality in Entrepreneurship across 24 Industrialized Countries

Leaky Bodies and Boundaries: Feminism, Postmodernism and (Bio)ethics

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Gender and Ventriloquism in Victorian and Neo-Victorian Fiction

Gender and Ventriloquism in Victorian and Neo-Victorian Fiction: Passionate Puppets

In Neo-Victorian Freakery: The Cultural Afterlife of the Victorian Freak Show, Helen Davies explores the politics of representation in neoVictorian re-imaginings of freak show performers. The book draws upon work from both freak studies and disability studies to address the issue of bodily difference in a series of nineteenth-century and neo-Victorian texts, an area that has drawn little critical attention in the field of neo-Victorian criticism to date. Her book returns again and again to the ethical quandaries of the neo-Victorian genre – what is at stake in representing the lives of others? Particularly those others who – like the freak performer – were marginalised during their lifetimes? Neo-Victorian texts are in danger of re-enacting the historical oppression of these performers but, crucially, they also have the potential to offer a more empathetic engagement with the figure of the freak. For Davies, it is this “learning about different ways of being and living which can lead us to question our presumptions about ‘freakish’ Victorians as well as about bodily diversity in our cultural moment” (15). The key to moving beyond such exploitative relations, Davies suggests, is through metatextual strategies that encourage both author and reader to interrogate their desire for knowledge of the freak body.

Neo-Victorian Freakery: The Cultural Afterlife of the Victorian Freak Show

Neo-Victorian Freakery

Since the onset of widespread economic crisis in 2008, varied policy-makers, critics, lobbyists and charities have vocalised concern about the impact of austerity measures on women's lives across t...

All in this together? Feminisms, academia, austerity

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Helen Davies

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