Note on Translation Introduction by Michael Holquist Response to a Question from the Novy Mir Editorial Staff The Bildungsroman and Its Significance in the History of Realism (Toward a Historical Typology of the Novel) The Problem of Speech Genres The Problem of the Text in Linguistics, Philology, and the Human Sciences: An Experiment in Philosophical Analysis From Notes Made in 1970-71 Toward a Methodology for the Human Sciences Index

Speech Genres and Other Late Essays

Speech Genres And Other Late Essays

A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful

............................................................................................................. iv Dedication .......................................................................................................... vi Acknowledgement ............................................................................................. vii List of Abbreviations .......................................................................................... ix Chapter 1. Art and Life......................................................................1 Chapter 2. Aesthetic Consciousness.......................................................36 Chapter 3. Incarnate Action................................................................69 Chapter 4. The Aesthetic Act of Authoring..............................................97 Chapter 5. Speaking without Fear........................................................132 Chapter 6. Authority and Heroism.......................................................166 Bibliography................................................................................201

/pdf/authority-and-personality-in-m-m-bakhtin-s-author-and-hero-evk7n2ci2c.pdf

Authority and Personality in M.M. Bakhtin's "Author and Hero in Aesthetic Activity"

(1991) Polite and Commercial People: England 1727–1783 History: Reviews of New Books: Vol 19, No 3, pp 114-114

Polite and Commercial People: England 1727–1783

At the intersection of psychological and literary studies and acknowledging dialogical aspects of the self in Herman’s Dialogical Self Theory (DST), we coined the concept of “Virtual Fictional/Fact...

Virtual Fictional/Factual Positioning”: Mediating Dialogical Concepts in Psychological and Literary Studies

Paul Auster blends stories with stories, lives with lives, and reality with fiction, and, finally, presents a full sense of the self trapped in a net of uncertainties. In this article, we examine the fictional positioning of Auster’s protagonist in Travels in the Scriptorium (2006/2007) to identify the role of storytelling in authoring one’s self. Based on the newly developed conceptual framework of “virtual fictional and factual positioning,” we elaborate on the possible dialogical coalition of the author’s positions as “I-as-artist/novelist” and “I-as-the-hero-of-my-story,” among other positions. The findings of this research indicated that the art of storytelling for Mr Blank becomes a means of survival. In his creative absorption in the fictional and factual positionings and experiencing the life of his hero, Mr Blank as a motivated artist/novelist could develop a dialogical self and reconstitute a more porous sense of his self and identity.

Dynamics of Fictional Positionings in Paul Auster’s Travels in the Scriptorium

Samuel Richardson's Pamela (1740) discusses the tribulation of a lady servant and her triumphs against the vicious young master while both Daniel Defoe's Moll Flanders (1724) and Roxana (1744) present the distress of two low-class women in the eighteenth-century man’s world with great drive to champion for good fortune. All three novels are clear discussions of eighteenth-century femininity and domestic issues. Yet, the literature review is absent of specific discussions on ideas and types of masculinity during the eighteenth century, particularly its power operationalization. Hence, this paper aims to associate the operationalization of masculine power and the presence of heterotopias, which is linked heavily to the period’s emphasis for politeness. The eighteenth-century English politeness, I argue, is instrumental at constructing masculinity and those without are emasculated of their manliness. As such, this paper depends on socio-historical framework as means to trace eighteenth-century masculine power which is enabled by specific heterotopias. Masculine power is firstly analysed through the use Fairclough’s Three-tier Analysis Framework. Then, types of heterotopias are identified and evaluated in order to associate the presence of this variant with the operationalization of masculinity by using Foucault’s heterotopia where this paper shows that certain heterotopias are the enablers of both desired and deviant masculinity. The novelists also pay different focus in urban and rural heterotopias. Finally, characters’ choice for certain heterotopias empowers deviance and desired masculinity. DOI: http://doi.org/10.17576/gema-2017-1701-09

https://ejournal.ukm.my/gema/article/download/12352/5246

Heterotopias and the Enabling of Masculine Power in Richardson’s Pamela and Defoe’s Moll Flanders and Roxana

In light of the newly developed approach of “Virtual Fictional/Factual Positioning” (VFP), I introduce “fictional dissociation” as a new concept for evaluating “fictional positioning” and the role ...

Dynamics of self-dialogue in the aftermath of trauma: A “fictional dissociation”:

Cultural Identity Past and Present: Poetic Imagination of Muhammad Haji Salleh

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