This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychologists, psychobiologists, musicians, music researchers, and music educators.

Cognitive Foundations Of Musical Pitch

Computational Creativity is a multidisciplinary field that tries to obtain creative behaviors from computers. One of its most prolific subfields is that of Music Generation (also called Algorithmic Composition or Musical Metacreation), that uses computational means to compose music. Due to the multidisciplinary nature of this research field, it is sometimes hard to define precise goals and to keep track of what problems can be considered solved by state-of-the-art systems and what instead needs further developments. With this survey, we try to give a complete introduction to those who wish to explore Computational Creativity and Music Generation. To do so, we first give a picture of the research on the definition and the evaluation of creativity, both human and computational, needed to understand how computational means can be used to obtain creative behaviors and its importance within Artificial Intelligence studies. We then review the state of the art of Music Generation Systems, by citing examples for all the main approaches to music generation, and by listing the open challenges that were identified by previous reviews on the subject. For each of these challenges, we cite works that have proposed solutions, describing what still needs to be done and some possible directions for further research.

Computational Creativity and Music Generation Systems: An Introduction to the State of the Art.

Multimodal classification research has been gaining popularity with new datasets in domains such as satellite imagery, biometrics, and medicine. Prior research has shown the benefits of combining data from multiple sources compared to traditional unimodal data that has led to the development of many novel multimodal architectures. However, the lack of consistent terminologies and architectural descriptions makes it difficult to compare different solutions. We address these challenges by proposing a new taxonomy for describing multimodal classification models based on trends found in recent publications. Examples of how this taxonomy could be applied to existing models are presented as well as a checklist to aid in the clear and complete presentation of future models. Many of the most difficult aspects of unimodal classification have not yet been fully addressed for multimodal datasets, including big data, class imbalance, and instance-level difficulty. We also provide a discussion of these challenges and future directions of research. 

Multimodal Classification: Current Landscape, Taxonomy and Future Directions

/pdf/what-all-do-audio-transformer-models-hear-probing-acoustic-3cz2d191xr.pdf

What All Do Audio Transformer Models Hear? Probing Acoustic Representations for Language Delivery and Its Structure

Towards improving the performance in various music information processing tasks, recent studies exploit different modalities able to capture diverse aspects of music. Such modalities include audio recordings, symbolic music scores, mid-level representations, motion, and gestural data, video recordings, editorial or cultural tags, lyrics and album cover arts. This paper critically reviews the various approaches adopted in Music Information Processing and Retrieval and highlights how multimodal algorithms can help Music Computing applications. First, we categorize the related literature based on the application they address. Subsequently, we analyze existing information fusion approaches, and we conclude with the set of challenges that Music Information Retrieval and Sound and Music Computing research communities should focus in the next years.

Multimodal music information processing and retrieval: survey and future challenges

In this work, a novel representation system for symbolic music is described. The proposed representation system is graph-based and could theoretically represent music both from a horizontal (contrapuntal) and from a vertical (harmonic) point of view, by keeping into account contextual and harmonic information. It could also include relationships between internal variations of motifs and themes. This is achieved by gradually simplifying the melodies and generating layers of reductions that include only the most important notes from a structural and harmonic viewpoint. This representation system has been tested in a music information retrieval task, namely melodic similarity, and compared to another system that performs the same task but does not consider any contextual or harmonic information, showing how the structural information is needed in order to find certain relations between musical pieces. Moreover, a new dataset consisting of more than 5000 leadsheets is presented, with additional meta-musical information taken from different web databases, including author, year of first performance, lyrics, genre and stylistic tags.

Symbolic Music Similarity through a Graph-Based Representation

. This paper proposes a weakly-supervised machine learning-based approach aiming at a tool to alert patients about possible respiratory diseases. Various types of pathologies may aﬀect the respiratory system, potentially leading to severe diseases and, in certain cases, death. In general, eﬀective prevention practices are considered as major actors towards the improvement of the patient’s health condition. The proposed method strives to realize an easily accessible tool for the automatic diagnosis of respiratory diseases. Speciﬁcally, the method leverages Variational Autoencoder architectures permitting the usage of training pipelines of limited complexity and relatively small-sized datasets. Im-portantly, it oﬀers an accuracy of 57%, which is in line with the existing strongly-supervised approaches.

Variational Autoencoders for Anomaly Detection in Respiratory Sounds

In this work, a new music symbolic level representation system is described. It has been tested in two information retrieval tasks concerning similarity between segments of music and genre detection of a given segment. It could include both harmonic and contrapuntal informations. Moreover, a new large dataset consisting of more than 5000 leadsheets is presented, with meta informations taken from different web databases, including author information, year of first performance, lyrics, genre, etc.

Graph based representation of the music symbolic level.A music information retrieval application

This paper presents the first comprehensive systematic review of literature on style-based composer identification and authorship attribution in symbolic music scores. Addressing the critical need for improved reliability and reproducibility in this field, the review rigorously analyzes 58 peer-reviewed papers published across various historical periods, with the search adapted to accommodate evolving terminology. The analysis critically assesses prevailing repertoires, computational approaches, and evaluation methodologies, highlighting significant challenges. It reveals that a substantial portion of existing research suffers from inadequate validation protocols and an over-reliance on simple accuracy metrics for often-imbalanced datasets, which can undermine the credibility of attribution claims. The crucial role of robust metrics like Balanced Accuracy and rigorous cross-validation in ensuring trustworthy results is emphasized. The survey also details diverse feature representations and the evolution of machine learning models employed. Notable real-world authorship attribution cases, such as those involving works attributed to Bach, Josquin des Prez, and Lennon–McCartney, are specifically discussed, illustrating the opportunities and pitfalls of applying computational techniques to resolve disputed musical provenance. Based on these insights, a set of actionable guidelines for future research are proposed. These recommendations are designed to significantly enhance the reliability, reproducibility, and musicological validity of composer identification and authorship attribution studies, fostering more robust and interpretable computational stylistic analysis.

Style-based Composer Identification and Attribution of Symbolic Music Scores: a Systematic Survey

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