Introduction 1. Models for the memory 2. Descriptions of the neuropsychology of memory 3. Elementary memory design 4. The arts of memory 5. Memory and the ethics of reading 6. Memory and authority 7. Memory and the book Afterword Appendixes List of abbreviations Bibliography.

The Book of Memory: A Study of Memory in Medieval Culture

List of Maps Preface and Acknowledgments Introduction Culture, Power, (Pre)modernity The Cosmopolitan in Theory and Practice The Vernacular in Theory and Practice Theory, Metatheory, Practice, Metapractice PART 1. THE SANSKRIT COSMOPOLIS Chapter 1. The Language of the Gods Enters the World 1.1 Precosmopolitan Sanskrit: Monopolization and Ritualization 1.2 From Resistance to Appropriation 1.3. Expanding the Prestige Economy of Sanskrit Chapter 2. Literature and the Cosmopolitan Language of Literature 2.1. From Liturgy to Literature 2.2. Literary Language as a Closed Set 2.3. The Final Theory of Literary Language: Bhoja's Poetics Chapter 3. The World Conquest and Regime of the Cosmopolitan Style 3.1. Inscribing Political Will in Sanskrit 3.2. The Semantics of Inscriptional Discourse: The Poetics of Power, Malava, 1141 3.3. The Pragmatics of Inscriptional Discourse: Making History, Kalyana, 1008 Chapter 4. Sanskrit Culture as Courtly Practice 4.1. Grammatical and Political Correctness: The Politics of Grammar 4.2. Grammatical and Political Correctness: Grammar Envy 4.3. Literature and Kingly Virtuosity Chapter 5. The Map of Sanskrit Knowledge and the Discourse on the Ways of Literature 5.1. The Geocultural Matrix of Sanskrit Knowledge 5.2. Poetry Man, Poetics Woman, and the Birth-Space of Literature 5.3. The Ways of Literature: Tradition, Method, and Stylistic Regions Chapter 6. Political Formations and Cultural Ethos 6.1. Production and Reproduction of Epic Space 6.2. Power and Culture in a Cosmos Chapter 7. A European Countercosmopolis 7.1. Latinitas 7.2. Imperium Romanum PART 2. THE VERNACULAR MILLENIUM Chapter 8. Beginnings, Textualization, Superposition 8.1. Literary Newness Enters the World 8.2. From Language to Text 8.3. There Is No Parthenogenesis in Culture Chapter 9. Creating a Regional World: The Case of Kannada 9.1. Vernacularization and Political Inscription 9.2. The Way of the King of Poets and the Places of Poetry 9.3. Localizing the Universal Political: Pampa Bharatam 9.4. A New Philology: From Norm-Bound Practice to Practice-Bound Norm Chapter 10. Vernacular Poetries and Polities in Southern Asia 10.1. The Cosmopolitan Vernacularization of South and Southeast Asia 10.2. Region and Reason 10.3. Vernacular Polities 10.4. Religion and Vernacularization Chapter 11. Europe Vernacularized 11.1. Literacy and Literature 11.2. Vernacular Anxiety 11.3. A New Cultural Politics Chapter 12. Comparative and Connective Vernacularization 12.1. European Particularism and Indian Difference 12.2. A Hard History of the Vernacular Millennium PART 3. THEORY AND PRACTICE OF CULTURE AND POWER Chapter 13. Actually Existing Theory and Its Discontents 13.1. Natural Histories of Culture-Power 13.2. Primordialism, Linguism, Ethnicity, and Other Unwarranted Generalizations 13.3. Legitimation, Ideology, and Related Functionalisms Chapter 14. Indigenism and Other Culture-Power Concepts of Modernity 14.1. Civilizationalism, or Indigenism with Too Little History 14.2. Nationalism, or Indigenism with Too Much History Epilogue. From Cosmopolitan-or-Vernacular to Cosmopolitan-and-Vernacular Appendix A A.1 Bhoja's Theory of Literary Language (from the Srngaraprakasa) A. 2 Bhoja's Theory of Ornamentation (from the Sarasvatikanthabharana) A.3 Sripala's Bilpank Prasasti of King Jayasimha Siddharaja A.4 The Origins of Hemacandra's Grammar (from Prabhacandra's Prabhavakacarita) A.5 The Invention of Kavya (from Rjaekhara's Kavyamimamsa) Appendix B B.1 Approximate Dates of Principal Dynasties B.2 Names of Important Peoples and Places with Their Approximate Modern Equivalents or Locations Publication History Bibliography Index

The Language of the Gods in the World of Men: Sanskrit, Culture, and Power in Premodern India

Il y a crise generale des sciences de l'homme : elles sont toutes accablees sous leurs propres progres, ne serait-ce qu'en raison de l'accumulation des connaissances nouvelles et de la necessite d'un travail collectif, dont l'organisation intelligente reste a mettre sur pied ; directement ou indirectement, toutes sont touchees, qu'elles le veuillent ou non, par les progres des plus agiles d'entre elles, mais restent cependant aux prises avec un humanisme retrograde, insidieux, qui ne peut plus leur servir de cadre. Toutes, avec plus ou moins de lucidite, se preoccupent de leur place dans l'ensemble monstrueux des recherches anciennes et nouvelles, dont se devine aujourd'hui la convergence necessaire.

Histoire et Sciences Sociales : La longue durée

From Petrarch's sonnets to Milton's epics a major characteristic of Renaissance literature is the imitation of earlier
texts, and the Renaissance contains a vast and perplexing array of writings on the theory and practice of imitation. Although these writings often exhaust themselves in vindictive and ferocious ad hominem polemics -- one need only recall Julius Caesar Scaliger's Orationes against Erasmus and dwell at length over what now appears to many a sterile and fruitless debate whether or not Cicero should be the only model for Latin prose, these treatises on imitation can offer considerable guidance for the interpretation of Renaissance literature. The theories of imitation help structure one's expectations as to the types of relations between text and model which one is likely to find, although they also amount to a strong warning against the difficulties of discovering and analyzing these relations.

/pdf/versions-of-imitation-in-the-renaissance-4cgw6rjtit.pdf

Versions of Imitation in the Renaissance

Homo Sociologicus: Ein Versuch zur Geschichte, Bedeutung und Kritik der Kategorie der sozialen Rolle

Published just after the Second World War, European Literature and the Latin Middle Ages is a sweeping exploration of the remarkable continuity of European literature across time and place, from the classical era up to the early nineteenth century, and from the Italian peninsula to the British Isles. In what T. S. Eliot called a "magnificent" book, Ernst Robert Curtius establishes medieval Latin literature as the vital transition between the literature of antiquity and the vernacular literatures of later centuries. The result is nothing less than a masterful synthesis of European literature from Homer to Goethe. European Literature and the Latin Middle Ages is a monumental work of literary scholarship. In a new introduction, Colin Burrow provides critical insights into Curtius's life and ideas and highlights the distinctive importance of this wonderful book.

European Literature and the Latin Middle Ages

Literatura europea y edad media latina

Europäische Literatur und lateinisches Mittelalter

Letteratura europea e Medio Evo latino

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European Literature and the Latin Middle Ages

European Literature and the Latin Middle Ages

Literatura europea y edad media latina

Europäische Literatur und lateinisches Mittelalter

Letteratura europea e Medio Evo latino