http://ecommons.cornell.edu/bitstream/1813/30747/1/zc39.pdf

The Virtuoso Under Subjection: How German Idealism Shaped The Critical Reception Of Instrumental Virtuosity In Europe, C. 1815X131850

The Main Philosophical Writings and the Novel Allwill

Main Currents of Marxism. Its Rise, Growth and Dissolution.

.............................................................................................................................. ii Acknowledgements ............................................................................................................ iv Vita ...................................................................................................................................... v List of Figures ..................................................................................................................... x Introduction ......................................................................................................................... 1 Chapter 1: The symbol in 20 th century theory ................................................................... 9 Art history’s great debate: “the infestation of art by interpretations” ........................... 10 Symbols, distance, and forms of thought: Aby Warburg .............................................. 11 Decoding the image: signs as bearers of meaning ........................................................ 28 “The absurd idea that symbols mean”: agency, psychology, and desire ....................... 40 “Phenomenology trumps iconography”: cognitive science and neuroarthistory .......... 43 Chapter 2: Iconography at the intersection of religion and art ......................................... 48 Aesthetic theories and the role of religion .................................................................... 49 Artistic approaches to the religious ............................................................................... 59 Occult Meanings and Mystic powers ............................................................................ 64 Response, embodiment, and material religion .............................................................. 78 viii Phenomenology ............................................................................................................. 84 Chapter 3: Classical studies and religious iconography ................................................... 91 German classics: religion, art, and archaeology ............................................................ 92 Jane Ellen Harrison: archaeologist and historian of religion ........................................ 96 Problems in iconographic analysis in classical archaeology ....................................... 108 Documentary images: art as historical evidence ......................................................... 114 Iconographic methods ................................................................................................. 119 The value and danger of interpretation ....................................................................... 125 Chapter 4: Locating religion: objects, devotionalism and Greek religious experience .. 128 Models of Greek religion ............................................................................................ 128 Popular piety and lived religion .................................................................................. 135 Votive-votum-devotio-devotionalism ......................................................................... 140 Chapter 5 Devotional elements in Greek encounters with divine powers ...................... 154 Relationships in Greek religion ................................................................................... 155 Offerings...................................................................................................................... 169 The problem of sacred space ....................................................................................... 177 Chapter 6: Women’s devotion, tainiai, and the places of everyday life in Classical Athens ......................................................................................................................................... 184 Widening the scope of devotionalism: adjusting Orsi’s model for Classical Athens . 186

Greek Devotional Images: Iconography and Interpretation in the Religious Arts

Reason in Religion: the foundations of Hegel's philosophy of religion

1. The Symbolic Form of Art 2. The Classical Form of Art 3. The Transition to the Revealed Religion and the Romantic Form of Art 4. The Significance of Kierkegaard's Interpretation of Don Giovanni in Relation to Hegel's Theory of the 'End' of Art 5. Hegel and Lukacs's on the Possibility of a Modern Epic 6. Myth and Society: A Common Theme in the Thought of Hegel and Sorel Bibliography Index.

Art, Myth and Society in Hegel's Aesthetics

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Art, Myth and Society in Hegel's Aesthetics