‘The Production of Space’, in: Frans Jacobi, Imagine, Space Poetry, Copenhagen, 1996, unpaginated.

The Production of Space

Preface (1999) Preface (1990) 1. Subjects of Sex/Gender/Desire I. 'Women' as the Subject of Feminism II. The Compulsory Order of Sex/Gender/Desire III. Gender: The Circular Ruins of Contemporary Debate IV. Theorizing the Binary, the Unitary and Beyond V. Identity, Sex and the Metaphysics of Substance VI. Language, Power and the Strategies of Displacement 2. Prohibition, Psychoanalysis, and the Production of the Heterosexual Matrix I. Structuralism's Critical Exchange II. Lacan, Riviere, and the Strategies of Masquerade III. Freud and the Melancholia of Gender IV. Gender Complexity and the Limits of Identification V. Reformulating Prohibition as Power 3. Subversive Bodily Acts I. The Body Politics of Julia Kristeva II. Foucault, Herculine, and the Politics of Sexual Discontinuity III. Monique Wittig - Bodily Disintegration and Fictive Sex IV. Bodily Inscriptions, Performative Subversions Conclusion - From Parody to Politics

Postmodern Subjects, Postmodern BodiesThinking Fragments: Psychoanalysis, Feminism, and Postmodernism in the Contemporary WestYearning: Race, Gender, and Cultural PoliticsGender Trouble: Feminism and the Subversion of Identity

Costs and benefits.

The social logic of space: Buildings and their genotypes

Despite its relative brevity, Walter Benjamin’s essay “The Work of Art in the Age of Mechanical Reproduction,” continues to inspire significant scholarly attention as a major work in the history of modern aesthetic and political criticism. The essay is credited with developing an insightful interpretation of the role technological reproduction plays in shaping aesthetic experience; more specifically, Benjamin catalogues the significant effects of film and photography on the decline of autonomous aesthetic experience. After fleeing the Nazi government in 1933, Benjamin moved to Paris, from where he published the first edition of “Work of Art” in 1936 (Brodersen XV). This publication appeared in French translation under the direction of Raymond Aron in volume 5, no. 1 of the Zeitschrift für Sozialforschung. Benjamin subsequently rewrote the essay and after editorial work by Theodore and Margarethe Adorno it was posthumously published in its commonly recognized form in his Schriften of 1955 (Wolin 183-4).

The Work of Art in the Age of Mechanical Reproduction

[Foreword to the printed proceedings]The Space Syntax symposia are by now recognised as an established tradition in international architectural research, a tradition that combines high scientific r ...

Proceedings of the 7th International Space Syntax Symposium

Spatial systems as producers of meaning : the idea of knowledge in three public libraries

In his 2018 Stockholm prize winner lecture, Goldstein highlighted the need for problem-oriented policing (POP) to be not only effective but also fair. Contributing to the development of POP, this study examines how a wider perspective on problem-solving generally, and scoping in particular, can be adopted to address some of the growing challenges in 21st century policing. We demonstrate that the concept of ‘problem’ was too narrowly defined and that, as a result, many problem-solving models found in criminology are ill-structured to minimize the negative side-effects of interventions and deliver broader benefits. Problem-solving concepts and models are compared across disciplines and recommendations are made to improve POP, drawing on examples in architecture, conservation science, industrial ecology and ethics.

/pdf/the-problem-with-crime-problem-solving-towards-a-second-57w5gei88k.pdf

The Problem with Crime Problem-Solving: Towards a Second Generation Pop?

As dynamic systems rivers and cities have been in interaction under changing relations over time, and the morphology of many cities has risen through a long and steady struggle between the city functions and the river system flowing inside. This makes river cities an interesting case to study how the presence of geographical features interacts with spatial morphology in the formation of cities. The basis of this research is enabled by utilizing a novel model for cross-city comparison presented by Hillier in his Santiago keynote in 2012 called a “star model”. This is done on large samples of cities investigating concurrent configurations, as well as how the properties in this star model react to specific forms of disturbance. Results illustrate that the foreground network as identified through maximum choice values in cities are more vital to the structure of cities than the bridges. The overall syntactic structure tends to retain its character (degree of distributedness) and the location of its foreground network (which street segments constitute the foreground network) even when bridges are targeted. Furthermore, counter to the initial hypothesis, river cities tend to change less than non-river cities after targeted disturbance of the systems. Finally, the results show that while there is a statistical morphological difference between river cities and non-river cities, this difference is not directly explained through the bridges. Integrating space syntax with statistical and geospatial analysis can throw light on the way in which the properties of city networks and urban structure reflect the relative effect of rivers on the morphology of river cities. The paper, finally, contributes through offering one piece of a better perception of the structure of river-cities that can support strategies of river-cities interaction as well as enhance our knowledge on the constraints and limits to that interaction.

/pdf/rivers-as-integration-devices-in-cities-2860ocjn5b.pdf

Rivers as integration devices in cities

The call for this themed issue formulates an interesting proposition, one that is a common conception – that people’s behaviour and, accordingly, the use of buildings is changing – and that this le ...

Changing building typologies: The typological question and the formal basis of architecture

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