Christine Dymkowski

Abstract: List of illustrations List of contributors Preface Introduction. Shakespeare without his language Dennis Kennedy Part I. The Foreignness of Shakespeare: 1. Foreign Shakespeare and English-speaking audiences John Russell Brown 2. Titus Resartus: Warner, Stein and Mesguich have a cut at Titus Andronicus Dominique Goy-Blanquet 3. Transformations of authenticity: The Merchant of Venice in Israel Avraham Oz 4. Translation and mise en scene: the example of contemporary French Shakespeare Leanore Lieblein 5. Audience, style and language in the Shakespeare of Peter Zadek Ron Engle Part II. Political and National Appropriations: 6. Brecht and beyond: Shakespeare on the East German stage Lawrence Guntner 7. Theatrical continuities in Giorgio Strehler's The Tempest Pia Kleber 8. Between the curtain and the grave: The Taganka in the Hamlet Gulag Spencer Golub 9. Woman scorned: Antony and Cleopatra at Moscow's Vakhtangov Theatre Irena R. Makaryk 10. Hamlet in postwar Czech theatre Jarka Burian Part III. Postmodern Shakespeare: 11. Daniel Mesguich and intertextual Shakespeare Marvin Carlson 12. Word into image: notes on the scenography of recent German productions Wilhelm Hortmann 13. Shakespeare and the Japanese stage Andrea J. Nouryeh 14. Wilson, Brook, Zadek: an intercultural encounter? Patrice Pavis Afterword: Shakespearean Orientalism Dennis Kennedy Index.

Abstract: The first comprehensive study of Barker's critical and practical work on Shakespeare, setting it in the context of late nineteenth and early twentieth-century Shakespearean production. Illustrated.

TL;DR: The Caliban's Odyssey Notes Index as discussed by the authors is a collection of essays about the Caliban in Shakespeare's "Odyssey" and its connections with other works in the literature.

TL;DR: Demaray as discussed by the authors argues that Shakespeare, in composing this play, was not reverting to the 'academic' dramatic structures, themes and character types of his early career, but was instead forging from different theatrical traditions a new kind of experimental drama.