Benjamin Swift
Australian National University
6 Papers
39 Citations
Benjamin Swift is an academic researcher from Australian National University. The author has contributed to research in topics: Live coding & Feeling. The author has an hindex of 4, co-authored 6 publications.
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Papers
Chasing a Feeling: Experience in Computer Supported Jamming
Benjamin Swift
- 01 Jan 2013
TL;DR: This chapter examines issues in light of an experiment involving ‘Viscotheque’, a novel group music-making environment based on the iPhone, where the goal is not an artefact but a felt experience.
21
High-resolution study of the 3D collagen fibrillary matrix of Achilles tendons without tissue labelling and dehydrating
Jianping Wu,Jianping Wu,Benjamin Swift,Thomas Becker,Andrew Squelch,Allan Wang,Yong Chang Zheng,Xuelin Zhao,Jiake Xu,Wei Xue,Minghao Zheng,David Lloyd,Thomas Brett Kirk +12 more
TL;DR: A novel 3D microscopic method has been developed to examine the 3D collagen microstructure of tendons without tissue dehydrating and labelling, which enables understanding of the function of the tissue and may be important for applying surgical and tissue engineering techniques to tendon reconstruction.
11
Texture analysis of the 3D collagen network and automatic classification of the physiology of articular cartilage
TL;DR: An automatic image analysis classifier has been developed to predict the physiological condition of AC (from ICRS grade 0 to 2) based on texture data from the 3D collagen network in the tissue.
9
Becoming-sound: affect and assemblage in improvisational digital music making
Benjamin Swift
- 05 May 2012
TL;DR: An introduction to affect and assemblage theory for HCI practitioners is provided and a case study of Viscotheque, an iOS-based interface for group musical collaboration, is used to demonstrate the application of affective analysis in making sense of improvisational group music making.
5
Networked livecoding at VL/HCC 2013
Benjamin Swift,Henry Gardner,Andrew Sorensen +2 more
- 28 Aug 2014
TL;DR: The infrastructure developed to enable a trans-Atlantic networked musical livecoding performance between Andrew Sorensen in Germany and Ben Swift in San Jose in September 2013 is described.