Amelia Jones

TL;DR: In this paper, the authors present a list of figures and technologies used to represent the human body in the context of human-computer interaction, including: 1. Provocations 2. Representation 3. Differences 4. Histories 5. Readings / Interventions 6. Bodies 7.

TL;DR: I was not yet three years old, living in central North Carolina, when Carolee Schneemann performed Meat Joy at the Festival of Free Expression in Paris in 1964; three when Yoko Ono performed Cut Piece in Kyoto; eight when Vito Acconci did his Push Ups in the sand at Jones Beach and Barbara T. Smith began her exploration of bodily experiences with her Ritual Meal performance in Los Angeles; nine when Adrian Piper paraded through the streets of New York making herself repulsive in the Catalysis series; ten when Valie Export rolled over glass in

TL;DR: Performing the body/performing the text as mentioned in this paper addresses the issue of performance in relation to the visual arts, both in the process of art production, and in the act of interpretation itself.

TL;DR: The Artist is Present as mentioned in this paper examines the series of recent re-enactments and events featuring Marina Abramovic, and examines the claims for authenticity and presence by examining the series.