Alysha Meloche
Drexel University
13 Papers
18 Citations
Alysha Meloche is an academic researcher from Drexel University. The author has contributed to research in topics: Creativity & The Internet. The author has an hindex of 2, co-authored 11 publications.
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Papers
A Community School Reform Initiative for Middle Grades Urban and Newcomer Students: Using Mixed Methods to Examine Student Academic and Nonacademic Outcomes Over Time and Compared to a Matched Sample
TL;DR: In recent years, community school (CS) reform efforts have been established and implemented as a method of realizing comprehensive school reform in underperforming school districts as mentioned in this paper, and a study of community school reform efforts has been conducted.
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Critical Literacy as a Lens for Students’ Evaluation of Sources in an AP World History Class
TL;DR: Critical literacy is an appropriate learning outcome for social studies courses because it has the potential to teach students how to critically evaluate sources of information relevant to historic events as mentioned in this paper, and it is a learning outcome that is appropriate for all students.
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Creativity-Integrated Art History: A pedagogical framework
Alysha Meloche,Jen Katz-Buonincontro +1 more
- 01 Jan 2018
Abstract: Art history offers a unique opportunity for students to encounter real, historical examples of the creative process in action. By showing examples of the complex process through which artwork is created, art history classes can provide emulative examples for the next generation of innovative designers, artists, historians, educators, and creative thinkers. Art history has a tradition of teaching Big-C creativity principles by highlighting creative products and individuals. Therefore, the art object is emphasized at the expense of unpacking the process and everyday, or mini-c, creativity of the work. At a time when the field of Art History is beginning to ask itself what it really wants students to gain from their classes, creativity should be one of those skills. The purpose of this paper is to present a pedagogical framework for reconsidering the way art history material is presented to students in a way that promotes personal creativity growth. The suggestions in this article take advantage of strengths that are already present in the field of art history, while also pointing out new means of bridging the gap between Big-C and mini-c creativity by incorporating principles of design thinking. This article includes a sample lesson of what Creativity-Integrated Art History (Cr-IAH) can look like.