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Learning To Teach In Higher Education

The article reviews the book "Alone Together: Why We Expect More From Technology and Less From Each Other," by Sherry Turkle.

Alone Together: Why We Expect More from Technology and Less from Each Other.

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Becoming a Critically Reflective Teacher

It can be said that we inhabit a post-human world—an existence characterised by smartphones and social media, genetically modified food and IVF babies, life-extending technologies and prosthetic enhancements. In The Posthuman (2013), Rosi Braidotti offers a roadmap for navigating the global effects of this post-human predicament—one in which clear distinctions between the human and the non-human no longer hold, the nature–culture divide is destabilised, and man’s privileged status is under attack. The situation we find ourselves in, Braidotti argues, is neither dystopian technological nightmare nor futuristic fantasy but one that requires complex and nuanced critical responses to issues of subjectivity, ethics and politics. In the four chapters comprising The Posthuman, Braidotti outlines her vision of the post-human future based on an affirmative politics, which ‘combines critique with creativity in the pursuit of alternative visions and projects’ (54). As a feminist antihumanist, Braidotti expresses little nostalgia for the concept of ‘Man’ and its associated individualism, Eurocentrism and anthropocentrism. Chapter 1 ‘Post-Humanism: Life Beyond the Self’ charts the Humanist/anti-humanist debates to draw attention to the crisis of the human and the opportunity it affords to imagine alternative subjectivities grounded in relationality and the interconnection between the self and others (49). Methodologically, Braidotti adopts a feminist politics of location in her critique of various Humanist traditions. There is a profound reflexivity to her writing as she guides the reader through the intellectual trajectory that has resulted in her nomadic, affirmative politics. It is a legacy that incorporates social movements of the 1960s/1970s, as well as the continental feminism of Irigaray and Kristeva. Spinoza and Deleuze and Guattari also feature as philosophical touchstones from which she advances her vision for the posthuman as a ‘relational subject constituted in and by multiplicity, that is to say a subject that works across differences and is also internally differentiated, but still grounded and accountable’ (49). By framing her argument within the narrative of her own intellectual story, the book conveys an immediacy and intimacy not often found in academic prose. Stylistically, it is as though we are inside her head—a post-human experience, indeed. Her writing is as expansive and impressive as you would expect—a swarm of ideas assuredly curated into a compelling argument for generating new forms of subjectivity and ethical relations to confront the challenges of a post-human existence. Consistent with existing feminist appraisals of the post-human (Halberstam and Livingston 1995; Hayles 1999; Toffoletti 2007), Braidotti acknowledges the complexity of the post-human predicament, seeking alternative frameworks to think about post-human subjectivity in non-dualistic ways. What Braidotti brings to these debates is an emphasis on materialism by way of Spinozist monism. In championing the relational, embodied and embedded qualities of post-human existence, Braidotti reprises the concept of zoe—a generative and vitalist force that allows for connections and affinities to be made across

Book review : the posthuman

Preface (1999) Preface (1990) 1. Subjects of Sex/Gender/Desire I. 'Women' as the Subject of Feminism II. The Compulsory Order of Sex/Gender/Desire III. Gender: The Circular Ruins of Contemporary Debate IV. Theorizing the Binary, the Unitary and Beyond V. Identity, Sex and the Metaphysics of Substance VI. Language, Power and the Strategies of Displacement 2. Prohibition, Psychoanalysis, and the Production of the Heterosexual Matrix I. Structuralism's Critical Exchange II. Lacan, Riviere, and the Strategies of Masquerade III. Freud and the Melancholia of Gender IV. Gender Complexity and the Limits of Identification V. Reformulating Prohibition as Power 3. Subversive Bodily Acts I. The Body Politics of Julia Kristeva II. Foucault, Herculine, and the Politics of Sexual Discontinuity III. Monique Wittig - Bodily Disintegration and Fictive Sex IV. Bodily Inscriptions, Performative Subversions Conclusion - From Parody to Politics

Postmodern Subjects, Postmodern BodiesThinking Fragments: Psychoanalysis, Feminism, and Postmodernism in the Contemporary WestYearning: Race, Gender, and Cultural PoliticsGender Trouble: Feminism and the Subversion of Identity

Self-help promises the chance of being “better”. Across multifarious platforms, including books, apps and television shows, it offers hope that we can be our own agents of change for a happier life...

The gendered nature of self-help:

This groundbreaking book employs a transdisciplinary and poststructuralist methodology to develop the concept of ‘postfeminist healthism,’ a twenty-first-century understanding of women’s physical and mental health formed at the intersections of postfeminist sensibilities, neoliberal constructs of citizenship and the notion of health as an individual responsibility managed through consumption. Postfeminist healthism is used in this book to explore seven topics where postfeminist sensibility has the most impact on women’s health: self-help, weight, surgical technologies, sex, pregnancy, responsibilities for others’ health and pro-anorexia communities. The book explores the ways in which the desire to be normal and live a good life is tied to expectations of ‘normal-perfection’ circulated across interpersonal interactions, media representations and expert discourses. It diagnoses postfeminist healthism as unhealthy for both those women who participate in it and those whom it excludes and considers how more positive directions may emerge.　
By exploring the under-researched intersection of postfeminism and health studies, this book will be invaluable to researchers and students in psychology, gender and women’s studies, health research, media studies and sociology.

Postfeminism and Health: Critical Psychology and Media Perspectives

Fan studies has been critical and groundbreaking in a number of respects. However, in regard to methodology, discussion seems decidedly thin on the ground. Such a missing discourse has wider implications, raising questions such as: what kinds of knowledge do fan studies researchers want to produce? What are the objects being studied? How does fan studies inform a general approach to research? And how is the area going to maintain itself, if we don’t start talking about our methodology and world-view? This paper is an attempt to bring the discussion of methodology to the fore in fan studies. In doing so, we show how the history of methodology in media and cultural studies implies certain methods. We then turn to newer methodologies in interpretative qualitative research. From here, we argue that there is room for mutual dialogue between fan studies and methodology: namely in work around the ‘aca-fan’ subject position of the researcher; and in digital research opened up by online modes of fandom and fan activism.

Desperately seeking methods: new directions in fan studies research

Contemporary female celebrity is produced within a context of postfeminism, sexualised culture, consumerism and neoliberalism. Feminist analyses often argue that such celebrity figures commodify female sexuality and depoliticise feminist issues regarding autonomy and sexual agency; although some celebrate contemporary celebrity as a site for producing less conventional sexual identities. In this paper we contribute to these debates with analysis of focus group and interview data from 28 white heterosexual women aged between 23 and 58 living in the UK. For the women in our study, female celebrities were figures of successful neoliberal entrepreneurial selves, with the capacity to make money from their bodies. This capacity was associated with continuous work on the bodies, rather than a natural beauty; and while there was often admiration for the work that went into this self-transformation, a consequence for the participants of equating beauty with normatively unattainable levels of body work was that the...

https://curve.coventry.ac.uk/open/items/f669517d-2928-1ae8-5024-db93e3ea7046/1/Immaculate+consumption.pdf

Immaculate consumption: negotiating the sex symbol in postfeminist celebrity culture

In this paper, we analyze the website TubeCrush, where people post and share unsolicited photographs of “guy candy” seen on the London Underground. We use TubeCrush as a case study to develop Berlant’s intimate publics as a lens for examining post-feminist sensibility and masculinity in the liminal space between home/work. The paper responds to notions of reverse sexism and post-sexism used to make sense of women’s apparent objectification of men in the digital space, by asking instead where the value of such images lies. We suggest that in TubeCrush, value is directed onto the bodies of particular men, creating a visual economy of post-feminist masculinity of whiteness, physical strength, and economic wealth. This celebration of masculine capital is achieved through humor and the knowing wink, but the outcome is a reaffirmation of urban hegemonic masculinity.

"He’s a total TubeCrush" : Postfeminist Sensibility as Intimate Publics

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